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Prefactoring
Prefactoring By Ken Pugh
September 2005
Pages: 238

Cover | Table of Contents | Colophon


Colophon

About the author
Ken Pugh has extensive experience in the area of software analysis and design. He has worked on systems ranging from goat serum process control to financial analysis to noise recording to satellite tracking. His previous books were on C and Unix, and he is a former columnist for the C/C++ Users Journal. He has taught programming courses for Wellesley College and the University of Hawaii, as well as numerous corporate courses, and he frequently presents at national conferences. As an independent consultant for over 20 years, he has served clients from London to Sydney. As an expert witness, he has provided testimony in both civil suits and criminal cases.
When not computing, he enjoys snowboarding, windsurfing, biking, and hiking the Appalachian Trail.

Colophon
Our look is the result of reader comments, our own experimentation, and feedback from distribution channels. Distinctive covers complement our distinctive approach to technical topics, breathing personality and life into potentially dry subjects.
Sarah Sherman was the production editor and proofreader, and Audrey Doyle was the copyeditor for Prefactoring . Mary Anne Weeks Mayo and Claire Cloutier provided quality control. Lydia Onofrei provided production assistance. Johnna VanHoose Dinse wrote the index.
MendeDesign designed and created the cover artwork of this book. Karen Montgomery
produced the cover layout with Adobe InDesign CS using the Akzidenz Grotesk and Orator fonts.
Marcia Friedman designed the interior layout. Melanie Wang designed the template; Phyllis McKee adapted the template. The book was converted by Keith Fahlgren to FrameMaker 5.5.6 with a format conversion tool created by Erik Ray, Jason McIntosh, Neil Walls, and Mike Sierra that uses Perl and XML technologies. The text font is Adobe's Meridien; the heading font is ITC Bailey. The illustrations that appear in the book were produced by Robert Romano, Jessamyn Read, and Lesley Borash using Macromedia FreeHand MX and Adobe Photoshop CS.

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