3D editing is the fastest-changing subject in the stereoscopic field. The debate is fierce among directors about the specificities of editing for 3D. It’s a hot topic because it’s deeply linked with the debate on convergence and the control you have on the audience’s sight. We will see how the 3D edit style and pace is a continuation of the 3D photographic style.
While waiting for the market to come up with edit stations designed for 3D movies, you have to edit movies with the current generation of 2D tools. A range of existing makeshift solutions make that possible.
Eventually we will have a look at the effect of 3D images on sound mixes, even ...
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