Book description
Better Broadcast Writing, Better Broadcast News teaches students how to write with the conversational simplicity required for radio and TV. This text draws on the Emmy Award-winning author's decades of professional experience in broadcast journalism. In addition to writing, the text also discusses the other elements that make up a good story--producing, reporting, shooting, editing, and ethics. The author's real-world perspective conveys the excitement of a career in journalism.Table of contents
- Cover
- Title Page
- Copyright Page
- Table of Contents
- Preface
- Acknowledgments
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Part I • How to Write the Right Words and Sentences
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1 The Right Words, The Right Stuff
- What You’ll Learn—words you ought to use, and others you shouldn’t
- Short Is Better than Succinct—using the simplest words
- Learn These, for a Start—the best words for the idea you want to convey
- Translating English into Better English—don’t use insider lingo
- Translating Other Tongues into English—don’t use foreign words and phrases
- Be Dynamic When You Can—how to keep your audience’s attention
- Judgmental Verbs May Be Accurate, But Wrong—let the audience reach its own conclusions
- Exercises to Hone Your Word Skills—homework or classwork
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2 The Wrong Way to Write It
- What You’ll Learn—write the way you talk
- The Terms of the Story—words and phrases for the first time
- Don’t Abb.—spell it out
- I Can’t Hear You—the case against contractions
- Turning Numbers into Words—when to spell out numbers, too
- Turning $ into Dollars—the case against symbols
- Sounding Smart, Saying It Right—saying it in English
- English , Revisited—good grammar and split infinitives
- English , Revisited Yet Again—good grammar and dependent clauses
- When Time Doesn’t Matter—excluding extraneous information
- The Important Thing, About Commas—a new use for the comma
- Giving It Some Punch—how to emphasize what should be emphasized
- Exercises to Hone Your Writing Skills—homework or classwork
- 3 Being Perfectly Clear
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4 The Right Way to Write It
- What You’ll Learn—the idiosyncrasies of writing
- Leaving Expert Judgment to Others—reporting on medical conditions
- Giving Credit Only Where Credit Is Due—writing about terrorists
- You Don’t Always Have to Attribute Things—don’t attribute the obvious
- Print Journalists Don’t Write the Way They Talk—differences between print and broadcast newswriting
- Crowds, Dead or Alive—counting crowds, reporting casualty tolls
- Personalizing Complex Economics—helping an audience relate to big numbers
- Take My Word for It—quoting people effectively
- The Final Potpourri—simple traps, simple solutions
- Exercises to Further Hone Your Writing Skills—homework or classwork
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5 Saying It Twice
- What You’ll Learn—how to use sound
- The Terms of the Story—words and phrases for the first time
- Is That a Fact?—don’t use sound bites to say what you can say
- Is That Gobbledygook?—choosing and editing sound bites judiciously
- You’ve Got Your Bite, Now You Write—leading into a sound bite
- Tag, You’re It—following a sound bite
- Exercises to Say It Twice—homework or classwork
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6 The Story of the Story
- What You’ll Learn—being a story teller
- The Terms of the Story—words and phrases for the first time
- Is That the Telephone Ringing?—keeping it simple for distracted audiences
- Start Strong, End Strong—most important parts of a story
- The Sounds of Silence—knowing when not to talk
- Exercises to Test Your Judgment—homework or classwork
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1 The Right Words, The Right Stuff
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Part II • But Before You Write…
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7 Organizing Your Facts, Organizing Your Story
- What You’ll Learn—organizing yourself to organize your work
- The Terms of the Story—words and phrases for the first time
- Giving New Meaning to “Running to the Bathroom”—making notes in the worst of conditions
- Figuring Out What to Keep, What to Cut—organizing notes and sound bites
- What to Note After the Notes—prioritizing notes
- Exercises to Hone Your Organizing Skills—homework or classwork
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8 Choosing Your Lead
- What You’ll Learn—how to choose your lead
- The Terms of the Story—words and phrases for the first time
- Burial in My Darkest Hour—about burying the lead
- How to Recognize the Lead If It Doesn’t Recognize You—critical elements for a lead
- Choosing One Lead From among More Than One—the judgment call
- The Exception to Every Rule—when picture or sound help dictate the lead
- After You’ve Picked It, You Have to Write It—simplicity, not complexity
- Another Exception: Soft as You Go—the soft lead
- And on the Second Day—fresh leads for an old story
- Exercises to Put Your Lead in the Lead—homework or classwork
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9 Choosing Your Close
- What You’ll Learn—how to choose your close
- Simplicity—by the end, you should have told the story already
- How to Find Your Close—critical elements for a close
- What Does the Story Mean?—giving meaning to your close
- Where Does the Story Go from Here?—telling the audience what to expect
- The Point of the Point—the last thing you might have to do
- Exercises to Put an End to All This—homework or classwork
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7 Organizing Your Facts, Organizing Your Story
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Part III • And After You Write
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10 Proof Positive of Proofreading
- What You’ll Learn—proofreading
- What You Are Looking For—mechanical flaws, reporting flaws
- Finding Mistakes Before They Find You—list of traps
- Being Noisy—proofreading aloud
- Is It a Bother to Proofread Aloud?—learn to ignore external noise
- No Excuse Is a Good Excuse—no reason not to proofread
- Whoops, More Reasons to Proofread Aloud—for flow, accuracy, background information, length, etc.
- Exercises to Hone Your Proofreading Skills—homework or classwork
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11 The Correct Corrections
- What You’ll Learn—how to make script corrections
- Bringing Out the Worst—making a bad script better
- Just Follow the Roadmap—universally universal pencil corrections
- Corrections From the Front of the Class—a system of corrective marks
- Exercises to Correct Any Lingering Incorrectness—homework or classwork
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10 Proof Positive of Proofreading
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Part IV • Finding Out What to Write
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12 News Hunters and News Gatherers
- What You’ll Learn—use curiosity and persistence
- The Terms of the Story—words and phrases for the first time
- Who Reports, Who Writes?—everyone’s decisions help shape stories
- From the Melodramatic to the Mundane—atlas, almanac, dictionary, and encyclopedia
- Making Sure You’re Wired—check it yourself
- Wired Language, Your Language—don’t depend on others
- The Final Indispensable Tool—research with computer, Internet
- An Even More Indispensable Tool: The Interview—sometimes not for sound bites, just information
- Not Every Interview Is a Blockbuster—when someone gives information
- The Curiosity Factor—what would someone who cares want to know?
- The Importance of Persistence—press for clarification, direct response, honesty
- Do Not Try This If It’s Not Your Home—sometimes tread cautiously
- A Few Tricks to Try at Home—simple rules to get good sound bites
- What They Call “Investigative Journalism”—difference between reporting and investigative reporting
- Exercises to Hone Your Newsgathering Skills—homework or classwork
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13 Running in Place
- What You’ll Learn—story ideas
- The Terms of the Story—words and phrases for the first time
- Running Down Tips—modest beginnings can have huge outcomes
- For a Common Cause—media hanging together
- If You Don’t Like That Reason, How About This One?—care even if you don’t care
- Seeing Every Color, Every Hue—note the details, whether you care or not
- Questions When They’re Not Allowed—don’t let them tell you not to ask
- Exercises to Help You Run in Place—homework or classwork
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14 Letting It All Hang Out
- What You’ll Learn—the unique value of pictures and sound
- The Terms of the Story—words and phrases for the first time
- How a Rose Tells the Story—don’t waste words where pictures tell the story
- When There’s No Rose Left Alive—using words to highlight the pictures
- Wallpaper, Instead of a Rose—using video, no matter how dull
- Fight to Avoid a Fight—avoid conflict of pictures and words
- When There’s Better Sound Than Just Words—sound tells the story too
- Microphones and Cameras Where They’re Not Allowed—fight to use your critical tools
- Exercises to Put the Angels in Your Work—homework or classwork
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15 A Picture is Worth a Thousand Words
- What You’ll Learn—about shooting and editing
- The Terms of the Story—words and phrases for the first time
- Zooming to Dizzying Heights—don’t overdo it with the zoom
- Zooming Cuts Both Ways—give yourself options for the edit
- Panning for Gold—don’t overdo it with the pan, either
- The Story’s in the Background—choosing a background for a standup
- I Was Framed!—don’t waste space
- Cut Away for a Cutaway—more options for the edit
- Proving the Reporter Is There—why the reporter comes up on camera
- Where You Make It or Break It—mediocre material, marvelous editing
- Exercises to Put Pizazz in the Picture—homework or classwork
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12 News Hunters and News Gatherers
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Part V • It’s All Part of the Show
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16 If the Shoe Fits, Write It
- What You’ll Learn—everyone on the same page
- The Terms of the Story—words and phrases for the first time
- The Shape of Your Script—how the page looks
- The Look of Your Script—upper or lower, single or double, clear or not?
- Slug Every Script—for everyone to identify it
- Exercises to Fit In—homework or classwork
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17 Fitting It All In
- What You’ll Learn—putting a whole broadcast together
- The Terms of the Story—words and phrases for the first time
- Taking the Lead, Closing It Out—starting and ending the show
- Filling in the Holes—the middle of the show
- Bridging the Gap—transitions between topics
- Change Your Pace—keep the audience’s interest
- Ending Your Show—neither too early nor too late
- Teasing Your Audience—telling the story without telling it
- Exercises to Line Up Your Rundown—homework or classwork
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18 Even More Ways for Radio
- What You’ll Learn—the best radio newscast
- The Voice of Authority—placing your reporter there
- Shifting Your Lead—making old stories sound fresh
- Let Us Count the Ways—different radio news packages
- Who’s Talking—identifying every speaker but one
- Exercises to Sound You Out about Sound—homework or classwork
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16 If the Shoe Fits, Write It
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Part VI • Being the Right Kind of Journalist
- 19 Holding onto Your Sources
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20 Holding onto Your Ethics
- What You’ll Learn—being fair, honest, respectful
- What Passes for the Truth—sometimes there are two truths
- No Question about Accuracy—don’t guess
- Fairness Above All—putting personal opinion aside
- Different Rights to Privacy—public versus private citizens
- Benefit of the Doubt on Libel—advantage: journalists, but don’t abuse it
- Staging for the Stage—if it isn’t happening, don’t cover it
- Gifts Worth Too Much—avoiding even the appearance of bribery
- Checkbook Journalism—about paying for stories
- Covering the Disorder, Not Creating It—walking that fine line
- When You Don’t Have to Treat Everyone Equally—news versus entertainment
- How Free Is Information?—the public’s rights, the journalist’s rights: the same
- Our Ethical Foundations—constitutional and professional codes
- Exercises to Reinforce Your Ethics—homework or classwork
- 21 Holding onto Your Dream
- Index
Product information
- Title: Better Broadcast Writing, Better Broadcast News
- Author(s):
- Release date: October 2015
- Publisher(s): Routledge
- ISBN: 9781317349907
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