Book description
Color and Mastering for Digital Cinema explores the implications for motion picture post production processes and changes required to the supporting equipment and software. While a new concept to the motion picture community, the selection of the wide gamut, output-referred XYZ color space for digital cinema distribution is based on decades of color science and experience in other industries. The rationale for choosing XYZ and the other color encoding parameters is explained and the book also provides a full case study of the development of DLP Cinema® projectors by Texas Instruments. Finally, this book explores how the XYZ color encoding concept can be extended to support enhanced display technologies in the future.
Table of contents
- Cover
- Halftitle
- Title
- Copyright
- Decdication
- Contents
- Preface
- Acknowledgements
- About the Author
- About the Series Editor
- 1. Overview of Color and Mastering for Digital Cinema
- 2. Color in Motion Picture Film
- 3. Color Space for Digital Cinema
- 4. Transfer Function
- 5. Reference Projector and Environment
- 6. Digital Mastering
- 7. Color Encoding forDigital Cinema Distribution
- 8. Color Processing in the Projector
- 9. DLP Cinema® Case Study
- 10. Digital Display Technologies
- 11. Digital 3D Presentation
- 12. The Future
- Index
Product information
- Title: Color and Mastering for Digital Cinema
- Author(s):
- Release date: July 2012
- Publisher(s): Focal Press
- ISBN: 9781136033377
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