Book description
The colorist is responsible for the critical final stage of
refinement of the film and broadcast image. Using all of the
controls modern color correction software provides, colorists
refine the mood, create style, add polish to scenes, and breathe
life into the visuals. The craft of color correction can take
considerable trial and error to learn, while the art of color
grading takes years to perfect. Alexis Van Hurkman draws on his
wealth of industry experience to provide a thoroughly updated
edition of what has become the standard guide to color correction.
Using a friendly, clear teaching style and a slew of real-world
examples and anecdotes, Alexis demonstrates how to achieve
professional results for any project, using any number of dedicated
grading applications, or even an editing program’s built-in
color correction tools.
From the most basic methods for evaluating and correcting an
overall image to the most advanced targeted corrections and
creative stylizations, Color Correction Handbook, Second Edition,
is your one-stop guide. Among many valuable concepts and
techniques, you’ll learn to:
• Set up a professional color correction
environment using the latest technologies and adhere to the most
up-to-date standards
• Work with log-encoded media and
LUTs
• Analyze shots quickly and correct errors
of color and exposure
• Create idealized adjustments for key
features such as skin tone, skies, and product shots
• Develop strategies for balancing clips in
a scene to match one another for continuity, and grading
greenscreen clips destined for visual effects
• Master a variety of stylistic techniques
used to set a scene’s mood
• Apply principles of color and contrast to
add depth and visual interest
• Browse valuable research about memory
colors, audience preferences, and critical corrections for
achieving appealing skin tones and controlled
environments
• Follow along with the downloadable files
that accompany this book, including HD footage, cross-platform
exercises, and project files.
Table of contents
- Title Page
- How to Get Your Media Files
- Copyright Page
- Dedication
- Table of Contents
- Foreword
- Introduction
- Chapter 1. Color Correction Workflows
- Chapter 2. Setting Up a Color Correction Environment
-
Chapter 3. Primary Contrast Adjustments
- How We See Color
- Luminance and Luma
- Evaluating Contrast Using Video Scopes
- Controls to Adjust Contrast
- Expanding Contrast
- Compressing Contrast
- Y’CBCR Luma Adjustments vs. RGB Luma Adjustments
- Redistributing Midtone Contrast
- Adjusting Log-Encoded Contrast
- Setting Appropriate Highlights and Shadows
- Working with High Dynamic Range (HDR) Media
- Contrast and Perception
- Contrast During Exhibition
- Dealing with Underexposure
- Dealing with Overexposure
- Chapter 4. Primary Color Adjustments
- Chapter 5. HSL Qualification and Hue Curves
- Chapter 6. Shapes
- Chapter 7. Animating Grades
- Chapter 8. Memory Colors: Skin Tone, Skies, and Foliage
- Chapter 9. Shot Matching and Scene Balancing
-
Chapter 10. Quality Control and Broadcast Safe
- Grading for Film Output
- Video Signal Standards and Limits
- Quality Control Issues That Affect Colorists
- Six Structured Steps to Legalizing Your Picture
- Monitoring and Legalizing Saturation in Detail
- RGB Color Space Legality and the RGB Parade Scope
- Soft Clipping for Luma and RGB
- Other Video Scope Options for Broadcast Gamut Monitoring
- Creating Graphics and Animation with Legal Values
- Broadcast-Safe Settings in Grading Applications
- Broadcast-Safe Settings in Editing Applications
- Avid Media Composer and Symphony Broadcast-Safe Settings
- Adobe Premiere Pro Broadcast-Safe Settings
- Final Cut Pro X Broadcast-Safe Settings
- Final Cut Pro 7 Broadcast-Safe Settings
- Preview. Color Correction Look Book
- Index
Product information
- Title: Color Correction Handbook: Professional Techniques for Video and Cinema, Second Edition
- Author(s):
- Release date: November 2013
- Publisher(s): Peachpit Press
- ISBN: 9780133435566
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