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Commercial Photoshop Retouching: In the Studio
book

Commercial Photoshop Retouching: In the Studio

by Glenn Honiball
August 2005
Intermediate to advanced content levelIntermediate to advanced
272 pages
7h 29m
English
O'Reilly Media, Inc.
Content preview from Commercial Photoshop Retouching: In the Studio

Keeping a Shadow Library

One thing I have found quite useful and a real timesaver is to keep a library of shadows. I keep a few basic shadows on file and repurpose them instead of having to recreate them from scratch each time a new image comes in. This is particularly useful for car images, but you may find other uses for them. I usually keep them as a fairly large file, but the nice thing about a shadow is that it can be resized quite considerably, 200% or more, and the image doesn't really degrade all that much. Add a slight Gaussian blur and a little noise to it, and you're back in business.

A shadow under an object that has been restricted by a crop mask can't be repurposed easily

Figure 2-53. A shadow under an object that has been restricted by a crop mask can't be repurposed easily

A shadow under an object that has not been restricted by a crop mask can be altered more easily for a different use

Figure 2-54. A shadow under an object that has not been restricted by a crop mask can be altered more easily for a different use

One big tip for creating shadows is: don't restrict the shadow to the shape of the object. By this, I mean create the shadow as if the object you are making the shadow for isn't even there. Do not create the shadow with an inverse selection of the object

Note

If a shadow doesn't fit perfectly with your new image, you can always use the Transform/Distort tool to adjust its perspective slightly to create the desired angle or look you are after.

Figure 2-55. Library of ...

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Publisher Resources

ISBN: 059600849XSupplemental ContentErrata Page