Creative Illustration Workshop for Mixed-Media Artists

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Job:06-19651 Title:RP-Creative Illustration Workshop

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ete Stt Sp

8

eek ways to drink in natures replenishing energy. ere the artist visits with her donkeys and works in her garden.

ry taking fteenminute sabbaticals from the drawing

table. ake a fteenminute walk or a break with nature

somewhere. o matter where you live, you can commune

with the air or sky for fteen minutes. hese breaks give

you a fresh perspective when you return to your work.

 t  t te

and Movemt



n old farmer once told me, eep takin’ water out of

the well, sooner or later it’s gonna go dry. ou have

to walk away let it ll back up from the earth.

hen you rst get hit with creative blues, change your

immediate environment and look to other ature for an

energy tonic. hysical activity and letting your eyes and

body experience other natural stimuli help replenish your

creative well.

(RAY)

Job:06-19651 Title:RP-Creative Illustration Workshop

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(RAY)

Job:06-19651 Title:RP-Creative Illustration Workshop

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

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                         

The artist freeform dances in her studio to revitalie her energy during the workday.

y favorite energy booster when ’m feeling drained from

work is dancing. ut on some good music and move with

whatever beat you feel. hat vibration sinks into you, lling

up your creative well. lusit’s fun ry fteenminute

physical bursts of walking, umping rope, or doing yoga

anything that helps you move and breathe.

e e  tSt tS

Be aware of getting in a repetitive rut. ou unconsciously

repeat elements and symbols in your work that become

your unique painted language. But if you nd yourself

saying,  don’t know what to put here, so ’ll add a red

circle again, consider consciously trying something out

of your comfort zonea new color, shape, or obect. t

doesn’t mean using a red circle is wrong, but it’s easy to

get lazy and repeat things that are safe because you know

they worked well in past images.

Whenreativelofirsthitstaeareaforan

hourtoinduleinyourownpreferredenerydrin.

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Job:06-19651 Title:RP-Creative Illustration Workshop

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(RAY)

Job:06-19651 Title:RP-Creative Illustration Workshop

07-C57300 #175 Dtp:204 Page:110

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"Everywallisadoor."

—RalphWaldoEmerson

Working on a large canvas is a physical eperience. Try working

as you listen to music, painting to the rhythm and beat. Work

abstractly at first to free your mind from details.

ecognize your own daily energy rhythms.  personally

have a hard time painting in the morning.  can write

in the morning, but for some reason my painting feels

clumsy and blocked. ather than forcing myself into an

unnatural state,  accept this and work around it.

o take note of your natural energy cycles. Are you tired

in the afternoon hen take a nature walk and hit the

drawing board afterward. ake time to ask these simple

questions hen do my ideas flow freely hen do  feel

most openmorning, noon, or evening hile this might

seem like an obvious suggestion, many people lead such

overlled lives, they haven’t taken the time to ask these

simple questions.

ometimes your creative block requires more than

a fteenminute walk to olt you out of it.

n these times, try turning to a completely dierent

medium or art form. oing so brings you in touch with

new textures, new methods, and new ideas. ou’ll be

forced to gure out how the new medium works, and you

won’t have time to feel blocked.

f you’re comfortable drawing on inch  cm paper,

paint on a large canvas for a day. f you normally work

in color, try producing some images in charcoal or black

ink. sually a painter witch to photography for a day

or writing poems. ook at switching mediums as a

creative catalyst.

ete Stt Sp



(RAY)

Job:06-19651 Title:RP-Creative Illustration Workshop

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