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 
riginally created for a gallery show called “ight,” all these pieces
are acrylic with some collage and are approimately (.  .
.  . cm) in sie. ong after they were sold, I licensed the
images to tio o to be used for canvas reproductions. ne
original can be applicable to a whole array of markets, so my
advice is to never, ever sell your copyright on any given piece.
ete Stt Sp
8
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
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eig of erie isit the i, is one of a series of pieces to honor the many ways children can help others. ach piece was created on paper,
with acrylic, pastel, and ink, (   .  2. cm). ote that I touched up each piece digitally by scanning items and using Photoshop.
This allows me to add important elements such as the oral curtains that can make the ambiance of the room more complete.
ete Stt Sp

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
eior oat otai or was created with cont pencil and acrylic on drafting tissue. I really love the feel of drawing
with pastelcont pencil on tissue it feels very earthy to me. I drew the goats and animals separately and then gathered
scans from other illustrations and merged them into one digital piece (for more on this process, see chapter ).
or eample, the trees came from a separate painting. The end result is a print that I send to people who sponsor the
farms three senior pygmy goats.
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These three fabric pieces were created by taking my original
drawings and uploading them to poooer, an online resource
that takes your digital file and prints it into fabric (see esources,
page ). I use the fabric to create pillows and sachets from our
farms lavender buds harvested from , plants. Ive also used
the fabric to make threedimensional items such as standup dolls
and prayer ags.
ete Stt Sp
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