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Digital Curation in the Digital Humanities

Book Description

Archives and special collections departments have a long history of preserving and providing long-term access to organizational records, rare books, and other unique primary sources including manuscripts, photographs, recordings, and artifacts in various formats. The careful curatorial attention to such records has also ensured that such records remain available to researchers and the public as sources of knowledge, memory, and identity. Digital curation presents an important framework for the continued preservation of digitized and born-digital collections, given the ephemeral and device-dependent nature of digital content. With the emergence of analog and digital media formats in close succession (compared to earlier paper- and film-based formats) came new standards, technologies, methods, documentation, and workflows to ensure safe storage and access to content and associated metadata. Researchers in the digital humanities have extensively applied computing to research; for them, continued access to primary data and cultural heritage means both the continuation of humanities scholarship and new methodologies not possible without digital technology. Digital Curation in the Digital Humanities, therefore, comprises a joint framework for preserving, promoting, and accessing digital collections. This book explores at great length the conceptualization of digital curation projects with interdisciplinary approaches that combine the digital humanities and history, information architecture, social networking, and other themes for such a framework. The individual chapters focus on the specifics of each area, but the relationships holding the knowledge architecture and the digital curation lifecycle model together remain an overarching theme throughout the book; thus, each chapter connects to others on a conceptual, theoretical, or practical level.

  • theoretical and practical perspectives on digital curation in the digital humanities and history
  • in-depth study of the role of social media and a social curation ecosystem
  • the role of hypertextuality and information architecture in digital curation
  • study of collaboration and organizational dimensions in digital curation
  • reviews of important web tools in digital humanities

Table of Contents

  1. Cover image
  2. Title page
  3. Table of Contents
  4. Series Editor
  5. Copyright
  6. List of figures and tables
  7. About the author
  8. Preface and Acknowledgments
  9. Introduction
    1. Conceptualizing the framework for digital curation
  10. 1. Defining digital curation in the digital humanities context
    1. Foundational definitions for curation
    2. Digital curation
    3. Digital preservation
    4. Lifecycle of digital contents
    5. Levels of curation
    6. Digital humanities data curation
    7. Using linked open data in digital curation
    8. Conclusion
  11. 2. Archives and special collections in the digital humanities
    1. Defining the digital humanities
    2. Characteristics of Digital Humanities
    3. Discursive concerns in the digital humanities
    4. The role of archives in the digital humanities
    5. Archives and the linguistic turn
    6. Digital humanities projects involving archives and libraries
    7. Digital humanities project descriptions
    8. Digital humanities curation in the classroom
    9. Conclusion
  12. 3. Digital history, archives, and curating digital cultural heritage
    1. Defining digital history
    2. Paradigm shifts in archival curation
    3. Digital historiography and archives
    4. Digital historical representations
    5. Historical hypertext
    6. Digital history data curation
    7. Digital historiography and digital curation
    8. Conclusion
  13. 4. Information architecture and hypertextuality: concerns for digital curation
    1. Defining information architecture
    2. Digital curation of hypertextual content
    3. Information architecture and hypertextuality
    4. Spatial, temporal, and ontological dimensions in information architecture
    5. Localized approaches at the Ward M. Canaday Center for special collections
    6. Information architecture for online and hybrid courses in digital humanities
    7. Conclusion
  14. 5. Digital curation lifecycle in practice
    1. Overview of the DCC curation lifecycle model
    2. Conceptualization and the master plan
    3. Curation of data sets and digital objects
    4. Full lifecycle actions
    5. Preservation planning
    6. Preservation and conservation in the curation lifecycle
    7. Description and representation information
    8. Community watch and participation
    9. Sequential actions
    10. Occasional actions
    11. Conclusion
  15. 6. Organizational dimensions of digital curation
    1. Knowledge management in digital curation
    2. Knowledge architectures for digital curation
    3. Knowledge transfer in digital curation
    4. Organizational contexts for knowledge architectures
    5. Conclusion
  16. 7. Social networks’ impact on digital curation
    1. Cross-curation, social curation ecosystems, and cultural heritage
    2. Hypertextuality and ontologies in social media
    3. Social network theory, hypertextuality, and cross-curation
    4. Social networking and Web 2.0 tools in archives
    5. The social curation ecosystem in Toledo’s Attic
    6. Conclusion
  17. Afterword
  18. References
  19. Index