Directing a film means carrying a detailed movie in your head that you have broken into component parts, and then manipulating cast and crew until you get the parts you want. Crew and cast know this, and when they turn to you expectantly, they are asking, “Did you get what you wanted?” You have to know, one way or the other. Naturally, along the way, other possibilities intrude, so the movie you are assembling in your head is constantly evolving and adjusting to opportunities and disappointments.

During shooting, a supportive, enthusiastic cast and crew will endure and triumph together, but under the best of conditions this will be a stressful time for everyone. It's a period of high concentration for the crew, ...

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