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Drawn to Life: 20 Golden Years of Disney Master Classes Volume 1 by Don Hahn, Walt Stanchfield

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26 The Opposing Force

Many of you who were adventurous enough to experiment with the cylinders last session were very successful. I noticed a very marked improvement in several artists’ work. Now, I’d like to suggest you concentrate, at least for a portion of the meeting, on combining the cylinders with the solid-flexible concept.

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The solid-flex thing is the basis for all the angles that portray the various actions, moods, and expressions that we are called upon to draw. Each section has a limited, yet unique movement to perform. Those movements are the means through which we express all of our body communications. Try to relate some incident ...

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