6The Accidental Luxuriance of Recycled Utopian Erodium Pressure Pistols2010 and Beyond
KELLY SEARS (U.S.A.)
“I’m a big proponent of failure,” says U.S. animator, artist, and teacher, Kelly Sears.1 “Failure is a productive force in my work, both in developing ideas for films and methods for animation. The works are responses to failure, of power and institutional structures, of thinking rooted in imperialism and dominance, and drives of capitalistic and technological obliteration. I’m drawn to images that can be containers for some of these structures – and through animation – recasting and reframing new performances of critical histories.”
Sears’ films explore the flipside of an assortment of narratives that ...
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