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Illuminated Pixels by Virginia Wisslar

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Chapter 18Multi-Pass Rendering

Figure 18.1 Many passes surround the central composite in this photo montage (model and set by Brenda Weede).

image

“Maybe because it’s entirely an artist’s eye, patience, andskill that make an image and not his tools.”—Ken Rockwell, Modern Photographer, from “Your Camera Doesn’t Matter”

IN THIS CHAPTER:

18.1 Overview of PassesA general description passes, including their advantages and disadvantages.

18.2 Pass GenerationThe methods by which passes are created, and guidelines on when to use each method.

18.3 Common PassesWhat passes are commonly split out, and how to put them together again.

18.4 Linear WorkflowWhat linear ...

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