
396 Karine Lan Hing Ting, Dimitri Voilmy, Monika Büscher, and Drew Hemment
to standing (Mondada 2009) is linked to her progressive understanding that
something is happening. By stopping and looking she aligns with the action
of the other people around, and organises her conduct according to the audi-
ence formation.
Once again, it is possible to see the mixing format: the limit between the cat-
egory “passer-by” and “spectator” is not fixed, and can change at any mo-
ment. Categories progressively and situatedly emerge by the ongoing actions
of members as they make urban space their own.
Adjustment in avoiding collision occurs also in the example below ...