Acknowledgments

Although only one name appears on the cover of this book, a project like this brings an entire team of people together in seemingly unrelated ways who all contributed to its creation. My hearty thanks go out to all those friends, clients, and associates who posed for many of the images in sections of this book and to those who contributed conversation, access, equipment, and ideas that helped make this book even better.

First, to my wife Gayle and daughter Brenna, who allowed me to disappear into my studio cave to shoot and write and make my deadlines, all the while providing those smiles, support, and laughter that make my life a joy.

To Bob and Shirley Hunsicker of Pharos Studios, my early mentors in studio photography and business, whose guidance and friendship contribute immeasurably to my photographic career.

To photographer Rick Becker of Becker Studios in New York City, who long ago opened his Pandora's box of lighting tips, techniques, and special effects and shared with me the secrets of studio lighting.

To Michael Durham of the Oregon Zoo for providing access to the zoo and kind encouragement while I was writing this book. An incredible photographer himself, Michael strives to photograph that which can't be seen by the naked eye.

To David Honl, Rachael Hoffman, Phil Bradon, Craig Strong, Kari Friedman, and Michael Paul Wyman for providing me with equipment and technical details about some of the photos and lighting equipment described in this book. You guys ...

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