William Blake: Patron Saint of Makers

The mad Englishman was on a mission that makers can relate to.

[BY GARETH BRANWYN]

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Photograph courtesy of Fitzwilliam Museum, Cambridge

The Marriage of Heaven and Hell (Copy I, 1827), an early example of Blake’s invented technique of illuminated printing and something of a proto-zine, with different writing styles, voices, postures, rants, and aphorisms.

For the past 25 years, nearly every day, I’ve interacted with “the mad English poet” William Blake in some fashion. I poke my nose into one of the dozens of books I’ve lovingly collected, or I whisper (or shout to the rafters) a poem, or I chew on some gristly ...

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