You should now consider returning to Project 3, and repair camera hiss on all the clips that were filmed especially for this book. Then you need to to disguise the voice of the eyewitness in all shots where he speaks. After that, why not try some experimental work using the three-way color corrector to create some unusual color casts on the finished projects in this book? Combine it with the nested sequence and adjustment layer workflow to add that color cast to the whole movie. The scope of these filters and others found in Premiere Pro CS6 is really only ever limited by the scope of your imagination, and your patience to find out what combinations are possible and indeed beautiful.