New Dimensions in Photo Processes, 5th Edition

Table of contents

1. Cover
2. Half Title
3. Title Page
4. Copyright Page
5. Table of Contents
6. Acknowledgments
7. Introduction
8. PART I LIGHT-INSENSITIVE METHODS
   1. Chapter 1 Transfers, Lifts, and DIY Printmaking
      1. Solvent Transfers
      2. Inkjet Transfers
      3. Muscle Rub Transfers
      4. Heat Transfers
      5. Polymer Transfers
      6. Impossible Project Image Lifts
      7. Magazine and Copier Lifts
      8. Lazertran™ Inkjet Lifts
      9. Paper Photo-Lithography
      10. Gelatin Prints
   2. Chapter 2 Hand Coloring
      1. Water-Based Method
      2. Oil-Based Method
      3. Chalk-Based Method
   3. Chapter 3 Toning
      1. Safety
      2. Method Overview
      3. Materials
      4. Tips
      5. Toning the Entire Print
      6. Split Toning
      7. Selective Toning
      8. Tip
9. PART II PREPARATION FOR LIGHT-SENSITIVE METHODS
   1. Chapter 4 Creating the Photo-Printmaking Studio 77
      1. The Light Box
      2. The Contact Printing Frame
      3. The Exposure Unit
      4. Materials and Procedures, Including Paper and Sizing
   2. Chapter 5 Generating Imagery: Analogue Methods
      1. With a Darkroom
      2. Without A Darkroom
      3. Making Photograms
      4. Pinhole Photography
   3. Chapter 6 Making Negatives: Digital Method
      1. Part I: Capturing and Scanning Images
      2. Part II: Making a Digital Negative
      3. Part III: How to Use the Digital Negative to Make a Print
10. PART III LIGHT-SENSITIVE METHODS
    1. Chapter 7 Cyanotypes
       1. Safety
       2. Method Overview
       3. Materials
       4. Making One of the Stock Solutions
       5. Making the Other Stock Solution
       6. Making a Cyanotype
       7. Tips for Making a Cyanotype
       8. Cyanotype on Fabric
       9. Toning Cyanotypes
    2. Chapter 8 Van Dyke Brown Prints
       1. Safety
       2. Method Overview
       3. Materials
       4. Making the Solution
       5. Making a Brown Print
       6. Tips
       7. Tips for Brown Printing on Fabric
    3. Chapter 9 Salted Paper Prints
       1. Safety
       2. Method Overview
       3. Materials
       4. Making a Salt Print
    4. Chapter 10 Gum Bichromate Prints
       1. Safety
       2. Method Overview
       3. Materials
       4. Making the Bichromate Solution
       5. Making a Gum Print
       6. Tips for Making a Gum Print
       7. Making a Full-Color Gum Print
    5. Chapter 11 Casein Pigment Prints
       1. Safety
       2. Method Overview
       3. Materials
       4. Making the Bichromate Solution
       5. Tips for Making the Bichromate Solution
       6. Making the Casein Print
       7. Tips for Making the Casein Print
    6. Chapter 12 Platinum and Palladium Prints
       1. Safety
       2. Method Overview
       3. Materials
       4. Tips
       5. Mixing the Stock Sensitizers
       6. Making a Platinum/Palladium Print
       7. Tips
    7. Chapter 13 Bromoil Prints
       1. Safety
       2. Method Overview
       3. Materials
       4. Guidelines for Bromoil Printing
       5. Tips
       6. Brush Actions for Inking
       7. Print Finishing and Enhancement
       8. Tips
    8. Chapter 14 Enlargement Emulsions and Tintypes
       1. Safety
       2. Method Overview
       3. Materials
       4. Making a Print with Enlargement Emulsion
       5. Tips
       6. Contemporary Tintypes
       7. Materials
       8. Making a Contemporary Tintype
       9. Tips
    9. Chapter 15 Contemporary Daguerreotypes (Becquerel Process)
       1. Safety
       2. Method Overview
       3. Materials
       4. Tips
       5. Making a Contemporary Daguerreotype
       6. Tips
    10. Chapter 16 Visual Hybrids
        1. Layered Imagery
        2. Chromoskedasic Painting
        3. Lumen Printings
11. Annotated Bibliography
12. Supply Sources
13. Equivalent Imperial and Metric Measurements
14. Glossary
15. Index