Practical Recording Techniques, 7th Edition

Chapter 7 Microphones

DOI: 10.4324/9781315696331-7

So far we’ve created a studio, chosen equipment, and learned about sound and signals. We’re ready to look closely at each piece of gear in the studio. First up: microphones.

What microphone is best for recording an orchestra? What’s a good snare mic? Should the microphone be a condenser or dynamic, omni or cardioid?

You can answer these questions more easily once you know the types of microphones and understand their specs. First, it always pays to get a high-quality microphone. The mic is a source of your recorded signal. If that signal is noisy, distorted, or tonally colored, you’ll be stuck with those flaws through the whole recording process. Better get it right up front.

Even if you have ...