“We want to use these HDRIs for an IBL setup.”
“We’re delivering one-six-six, but work on it full ap.”
“Hard mask it at two-three-five.”
If all of that sounded more like a military launch code than anything related to Photoshop, this chapter will help you translate and understand some of the different high-end formats and terminology. The world is a lot less confusing with some basic image essentials.
Each Photoshop book I ever picked up had a section on file formats. Each time I browse through one, I am disappointed to realize that they never discuss the formats I use every day in the movie/entertainment industry. EPS (Encapsulated PostScript), one of the most ...