Book description
Pro Tools for Music Production is a definitive guide to the system for new and professional users. Extensively illustrated in colour and packed with time saving hints and tips, you will want to keep to hand as a constant source of information. The book takes a real-world approach and shows how to build the right system to suit your needs. Detailed chapters on recording, editing and mixing blend essential knowledge with tutorials and practical examples from actual recordings.The second edition features a wealth of new and updated material, including:
· Pro Tools HD systems explained
· Pro Tools 6.1 software (and up to version 6.2.3)
· Mac OSX installation and troubleshooting
· A new chapter on MIDI
· Additional and expanded tutorials
· More on Identify Beat, Beat Detective and tempo maps
· Extra coverage of plug-ins and virtual instruments
· How to use Propellerheads Reason and Ableton Live with Pro Tools
· What you need to know about the new file management capabilities
· How to transfer projects between Pro Tools and other MIDI and audio software, and between Pro Tools TDM on the Mac and Pro Tools LE on the PC
Pro Tools for Music Production is a vital source of reference to keep by your side, whether you are a working professional or a serious hobbyist looking for professional results.
Table of contents
- Cover
- Halftitle
- Title
- Copyright
- Contents
- About the author
- Acknowledgements
- 1 Pro Tools – the World’s Leading Digital Audio Workstation
-
2 The Evolution of Pro Tools – a Historical Perspective
- Introduction
- How Pro Tools came about – the move to digital
- The road to Pro Tools
- The beginnings of Pro Tools
- Pro Tools III
- The plug-ins
- Cubase VST
- The Yamaha 02R compact digital mixer
- The ADAT Bridge
- PCI expansion chassis
- Twenty-four-bit digital audio
- Pro Tools|24
- Pro Tools MIX
- Hardware controllers
- Developments for 2000
- Developments for 2001
- Developments for 2002
- Developments for 2003
- Summary
-
3 Pro Tools TDM Systems
- Introduction
- The system
- Native audio systems versus Pro Tools TDM systems
- Pro Tools TDM hardware
- Track counts
- Pro Tools|HD core systems
- Pro Tools|HD interfaces
- Peripherals
- Legacy interfaces
- Third-party interfaces
- Expansion chassis
- Pro Tools custom keyboard
- DigiTranslator 2.0 option
- MachineControl option
- Avid picture options
- Avid Mojo
- Do you need to use a mixer with Pro Tools?
- Pro Tools TDM software
- Summary
-
4 The Computer System
- Introduction
- What computer should you choose?
- Recommended additional software
- Software updates
- Leaving your computer ‘on’ permanently versus switching ‘off’ when you are not using it
- Hard drives for Pro Tools
- Audio file size limit
- Hard disk formatting
- Disk failure
- Disk maintenance and repair
- SCSI interface cards
- SCSI hard drives
- IDE/ATA hard drives
- Firewire hard drives
- Hard drives summary
- Backup systems
- Mac OSX installations
- Troubleshooting
- Summary
-
5 Recording and Editing MIDI
- MIDI features overview
-
Recording MIDI data
- Configuring the Apple MIDI setup for Mac OSX
- Setting up to record MIDI into Pro Tools
- Recording onto a MIDI track
- Loop recording MIDI
- Playing back a recorded MIDI track
- Assigning multiple destinations to a MIDI track
- Recording Sysex into Pro Tools
- How to record audio from an external synthesizer into Pro Tools
- How to record virtual instruments into Pro Tools
- How to use Groove Control with Stylus
- How to record virtual instruments as Audio
- Editing MIDI data
- Summary
-
6 Recording
- Introduction
-
Things you should know about before recording with Pro Tools
- Monitoring
- Drum punch-ins
- The rulers
- Edit window view options
- Meter and tempo
- Setting the default tempo
- Manual Tempo mode
- Recording to a click
- Setting up a click
- Destructive Record
- Playlists
- Punch-in and -out using pre- and post-roll
- Voices, channels and tracks
- QuickPunch
- How QuickPunch affects the available voice count
- Loop Recording audio
- Half-speed recording and playback
- Recording shortcuts
- Markers
- Time stamping
- Importing tracks from CD into Pro Tools
-
Working on a real recording session
- Opening a new session
- AutoSave
- Recording audio
- Topping and tailing
- Naming audio files
- Importing audio
- A quick edit
- Setting up markers
- Using Identify Beat to create a tempo map
- Inserting Bar|Beat Markers
- Dragging Bar|Beat Markers
- Editing Bar|Beat Markers
- Why not Beat Detective?
- Pitch shifting to suit a particular vocalist
- A basic synthesizer tracking session
- Overdubbing piano, guitar, bass and vocals
- Summary
-
7 Editing
- Introduction
- Edit window features
- Edit window set-up
- Markers window set-up
- Scrolling options
- Playback cursor locator
- Zooming and navigation
- Keyboard commands and shortcuts
- The Edit tools
- The Transport window
- Crossfades
- Auto fade-in and fade-out
- Editing accuracy
- Tab to transients
- Editing regions
- Grid modes
- Time Compression/Expansion edits
- Linked selections
- Beat Detective
- Beat Detective basic operation
- Practical editing techniques
- Summary
-
8 Mixing
- Introduction
- Tracks
- Sends
- Output windows for tracks and sends
- Automation
- Mixdown
- A note on terminology
- Mixing to analogue tape
- Mixing to DAT
- Mixing to digital media
- Making your own CDs
- Audio compression
- Bounce To Disk
- Recording to tracks
- When to use the Dither plug-in
- Mixing precision
- The Dithered Mixer plug-ins
- Mixer automation
- Setting up a mix session
- Summary
-
9 Audio Plug-ins
- Introduction
- Plug-in types
- Using real-time plug-ins
- Plug-in delays
- Making plug-ins inactive
- AudioSuite plug-ins
- Real-time TDM and RTAS plug-ins
- Multi-channel RTAS plug-ins
- Multi-channel TDM plug-ins
- Multi-mono TDM and RTAS plug-ins
- Inserting Plug-ins during playback
- Optional Digidesign plug-ins
- Digidesign distributed third-party plug-ins
- Plug-in packs
- More goodies
- Summary
- 10 Virtual Instruments
- 11 ReWire
- 12 Midi + Audio Sequencers
-
Appendices
- Appendix 1: Hardware Control
- Appendix 2: File Management
-
Appendix 3: Transferring Projects
- Pro Tools transfers
- Getting ready to make the transfers
- Transferring MIDI
- Importing MIDI files
- Exporting MIDI files
- Importing tracks and track attributes
- Time code mapping options
- Track playlist options
- Selecting session data to import
- Transferring audio
- Preparing for OMFI transfers
- Exporting OMFI files from Pro Tools
- Importing OMFI files into Pro Tools
- Moving sessions between platforms
- Moving between PT LE and PT TDM
- Summary
- Appendix 4: Pro Tools 6.4
- Glossary
- Bibliography
- Index
Product information
- Title: Pro Tools for Music Production, 2nd Edition
- Author(s):
- Release date: November 2012
- Publisher(s): Routledge
- ISBN: 9781136120299
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