Book description
Written with both the student and the professional in mind, this book marries practice and theory seamlessly, covering both historical and modern scenic art as well as relating helpful hints and practical techniques for everyday use by anyone in the field.Table of contents
- Cover
- Halftitle
- Title
- Copyright
- Dedication
- Contents
- Preface to the Second Edition
- Acknowledgments
-
PART One The Professional Scenic Artist
- 1. Training and Working as a Scenic Artist
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2. The Relationship Between the Scenic Artist and the Scenic Designer
- Collaboration Between the Scenic Artist and the Scenic Designer
- Preparing to Paint from the Elevation
- Interpreting The Scenic Designer’S Work
- Working with The Scenic Designer in the Shop and on Stage
- Extraordinary Challenges for the Scenic Artist
- Conclusion
- Interview with Joseph Forbes, President of Scenic Art Studios
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3. The Scenic Artist and the Scenic Studio
- Types of Scenic Studios
- The Staff in a Scenic Studio
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Paint Department Management
- Planning Scenic Painting
- Costing Out a Design
- Preproduction Planning
- Preparing Paint and Tool Stock
- Creating the Production Book
- Balancing Time, Space, and Labor
- Project Planning for the Independent Contractor
- Scheduling the Order of Painting with the Technical Director
- Setting the Production Schedule
- Putting A Production Together: Artistic Management and Organization
- Conclusion
- An Interview with Jane Snow, Scenic Charge Painter At Scenic Art Studios
-
4. The Scenic Artist’s Working Space
- The Painting Space
- The Scenic Painting Area
- The Scenic Artist’s Preparation Area
- The Touch-Up Kit
- Safety and Health Regulations
- Conclusion
- An Interview with Nancy Orr, Charge Painter of Showman Fabricators
-
PART Two The Tools of the Trade
-
5. The Painting Tools of Scenic Artistry
- Brushes
- Brooms, Extensions, Rollers, and Other Painting Accessories
- Other Tools and Accessories for The Scenic Artist
- Texture Tools
- Sprayers
- Conclusion
- An Interview with Mary Heilman, Scenic Artist and Teacher
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6. Color and Paint
- Color Physics and Theory
- The Practice of Color Mixing
- The Scenic Art Palette
- Types of Scenic Paint
- Dyes
- Other Paints, Finishes, and Binders
- Conclusion
- An Interview with Douglas Lebrecht, Head of The Scenic Department of The Metropolitan Opera House, New York City
- 7. Preparing for Painting and Texturing Scenery
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5. The Painting Tools of Scenic Artistry
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PART Three The Techniques of Scenic Painting
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8. Cartooning, Layout, and Lettering
- The Tools of Cartooning
- Transferring A Cartoon or Repeating Pattern
- Preparing Scenery for Cartooning
- Drawing the Cartoon
- Signs and Lettering
- Conclusion
- An Interview with Howard Jones, Resident Scenic Artist at the North Carolina School of the Arts
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9. Two-Dimensional Scenic Painting Techniques
- Putting a Production Together: The Painting
- Base Painting Techniques
- Overpainting Techniques
- Trompe L’oeil Painting Technique
- 10. Creating Aging, Decorative, and Faux Finishes Using Multiple Mediums
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8. Cartooning, Layout, and Lettering
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PART Four The History of Scenic Art
- 11. Ancient Classical Theatre to Medieval Performances: 500 b.c. to 1400 a.d.
- 12. The Renaissance Theatre and the Baroque Theatre: 1400 to 1800
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13. The Romantic Theatre and the Modern Theatre: 1800 to the Present
- The 19th Century
- England in the 19th Century
- France in the 19th Century
- The Scenic Arts in the United States
- The 20th Century
- Conclusion
- Bibliography
- Index
Product information
- Title: Scenic Art for the Theatre, 2nd Edition
- Author(s):
- Release date: December 2004
- Publisher(s): Focal Press
- ISBN: 9781136027451
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