Acknowledgments
A project of this size requires the assistance of a great many people, and we are indebted to each of them. Our gratitude must first be extended to assistant editor Denny Tek, who initially served as our contact with Routledge and proposed the idea of creating a new kind of music textbook. Without her interest and enthusiasm, we would not have had the opportunity to work with senior editor Constance Ditzel, whose experience and sincere support of the project has given us the confidence and audacity needed to create something without a blueprint. Special thanks also go to editor Genevieve Aoki for patiently guiding us through the manuscript and production processes.
We would like to acknowledge the substantial contributions of ...
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