Book description
Scott Kelby, the man who changed the "digital darkroom" forever
with his groundbreaking, #1 bestselling, award-winning book The
Photoshop Book for Digital Photographers, now tackles the most
important side of digital photography--how to take pro-quality
shots using the same tricks today's top digital pros use (and it's
easier than you'd think).
This entire book is written with a brilliant premise, and
here’s how Scott describes it: "If you and I were out on a
shoot, and you asked me, 'Hey, how do I get this flower to be in
focus, but I want the background out of focus?' I wouldn't stand
there and give you a lecture about aperture, exposure, and depth of
field. In real life, I'd just say, 'Get out your telephoto lens,
set your f/stop to f/2.8, focus on the flower, and fire away.' You
d say, 'OK,' and you'd get the shot. That's what this book is all
about. A book of you and I shooting, and I answer the questions,
give you advice, and share the secrets I've learned just like I
would with a friend, without all the technical explanations and
without all the techno-photo-speak."
This isn't a book of theory—it isn't full of confusing jargon
and detailed concepts: this is a book of which button to push,
which setting to use, when to use them, and nearly two hundred of
the most closely guarded photographic "tricks of the trade" to get
you shooting dramatically better-looking, sharper, more colorful,
more professional-looking photos with your digital camera every
time you press the shutter button.
Here's another thing that makes this book different: each page
covers just one trick, just one single concept that makes your
photography better. Every time you turn the page, you'll learn
another pro setting, another pro tool, another pro trick to
transform your work from snapshots into gallery prints. There's
never been a book like it, and if you're tired of taking shots that
look "OK," and if you’re tired of looking in photography
magazines and thinking, "Why don't my shots look like that?" then
this is the book for you.
Table of contents
- Copyright
- Acknowledgments
- Other Books By Scott Kelby
- About The Author
-
One. Pro Tips for Getting Really Sharp Photos: If Your Photos Aren’t Sharp, the Rest Doesn’t Matter
- The Real Secret to Getting Sharp Photos
- The Other Most Important Secret
- Perhaps Even More Important Than That!
- If You Skip This, Throw Away Your Camera
- If You Do This Wrong, It Will Lock Up
- It’s Time to Get Serious
- Getting “Tack Sharp” Starts with a Tripod
- A Ballhead Will Make Your Life Easier
- Don’t Press the Shutter (Use a Cable Release)
- Forgot Your Cable Release? Use a Self Timer
- Getting Super Sharp: Mirror Lock-Up
- Turn Off Vibration Reduction (or IS)
- Shoot at Your Lens’ Sharpest Aperture
- Good Glass Makes a Big Difference
- Avoid Increasing Your ISO, Even in Dim Light
- Zoom In to Check Sharpness
- Sharpening After the Fact in Photoshop
- Pro Sharpening
- Hand-Held Sharpness Trick
- Getting Steadier Hand-Held Shots
-
Two. Shooting Flowers Like a Pro: There’s More to It Than You’d Think
- Don’t Shoot Down on Flowers
- Shooting Flowers with a Zoom Lens
- Use a Macro Lens to Get Really Close
- Can’t Afford a Macro? How ’bout a Close-Up?
- When to Shoot Flowers
- Don’t Wait for Rain—Fake it!
- Flowers on a Black Background
- Shooting on a White Background
- The Perfect Light for Indoor Flower Shots
- Where to Get Great Flowers to Shoot
- Stopping the Wind
-
Three. Shooting Weddings Like a Pro: There Is No Retaking Wedding Photos. It’s Got to Be Right the First Time!
- The Trick for Low-Light Shooting in a Church
- Getting Soft, Diffused Light with Flash, Part 1
- Getting Soft, Diffused Light with Flash, Part 2
- Use Your Flash at Outdoor Weddings
- Keep Backup Memory Cards on You
- Formals: Who to Shoot First
- Formals: Where to Aim
- The Trick to Keeping Them from Blinking
- Reception Photos: Making Them Dance
- Your Main Job: Follow the Bride
- Formals: How High to Position Your Camera
- Formals: Don’t Cut Off Joints
- Formals: Build Off the Bride and Groom
- Formals: The Trick to Great Backgrounds
- Shooting the Details (& Which Ones to Shoot)
- Change Your Vantage Point to Add Interest
- Finding That Perfect Bridal Light
- How to Pose the Bride with Other People
- What to Shoot with a Wide-Angle Lens
- Back Up Your Photos Onsite
- If Shooting JPEGs, Use a Preset White Balance
-
Four. Shooting Landscapes Like a Pro: Pro Tips for Capturing the Wonder of Nature
- The Golden Rule of Landscape Photography
- Become Married to Your Tripod
- Shoot in Aperture Priority Mode
- Composing Great Landscapes
- The Trick to Shooting Waterfalls
- A Tip for Shooting Forests
- Where to Put the Horizon Line
- Getting More Interesting Mountain Shots
- The Trick for Warmer Sunrises and Sunsets
- Turn on “The Blinkies” to Keep More Detail
- How to Avoid the Dreaded Blinkies
- How to Show Size
- Don’t Set Up Your Tripod. Not Yet
- The Trick to Getting Richer Colors
- What to Shoot in Bad Weather
- Atmosphere Is Your Friend
- Getting Rid of Lens Flare—The Manual Way
- The Landscape Photographer’s Secret Weapon
- Keeping Your Horizons Straight
- Shooting on Cloudy Days
- Tips for Shooting Panoramas, Part 1
- Tips for Shooting Panoramas, Part 2
- Tips for Shooting Panoramas, Part 3
- Faking Panoramas
- Why You Need a Wide-Angle Lens
- Shooting Wildlife? Aim at Their Eyes
- Don’t Crop Wildlife in Motion Too Close
- Shooting Wildlife? Get in Really Tight
- What to Shoot at Sunset
-
Five. Shooting Sports Like a Pro: Better Bring Your Checkbook
- Set Your White Balance for Indoor Sports
- Shoot at a 1/640 Sec. Shutter Speed or Faster
- Pro Sports Shooting Is Dang Expensive
- Don’t Plan on Changing Lenses
- Which Lenses to Use
- Pre-Focus to Get the Shot
- Raise Your ISO to Get the Speed You Need
- The Pros Know the Game
- Don’t Always Focus on the Winner
- Shooting in Burst Mode
- Stability for Shooting Sports
- Shoot Vertically for More Impact
- Pan to Show Motion
- Shoot Wide Open
- Go for the Face
- RAW or JPEG for Sports Shooters?
- Composing for Sports
-
Six. Shooting People Like a Pro: Tips for Making People Look Their Very Best
- The Best Lens for Portrait Photography
- Which Aperture to Use
- Using Seamless Backgrounds
- Using Canvas or Muslin Backgrounds
- The Right Background Outdoors
- Where to Focus
- Where to Position Your Camera
- Positioning Your Subject in the Frame
- Tip for Framing Portraits
- Getting Great Light Outdoors
- Getting Great Light Indoors
- Taking Great Photos of Newborn Babies
- Great Sunset Portraits
- Better Natural-Light Portraits with Reflectors
-
Seven. Avoiding Problems Like a Pro: How to Avoid Digital Headaches
- Pro Tips to Avoid White Balance Problems
- Cold Weather Shooting Means Extra Batteries
- Don’t Change Lenses in Dusty Weather
- Apply for Permits to Shoot with Your Tripod
- Be Careful What You Shoot
- A Tip for Shooting on an Incline
- The Other Reason Pros Use a Lens Hood
- Keeping Your Lens Out of Trouble
- Back Up Your Photos in the Field
- Limit Your LCD Time to Save Battery Life
- Be Careful When Throwing Out CDs/DVDs
- Bracket If You’re Not Sure About Exposure
- Avoid Red Eye
- Remove Red Eye
-
Eight. Taking Advantage of Digital Like a Pro: It’s More Than Just a Replacement for Film
- Level the Playing Field: Press That Button
- Put the LCD Monitor to Work
- Edit as You Shoot to Get More Keepers
- Take Advantage of the Blinkies
- Change Your ISO on the Fly
- No Penalty Fee for Experimenting
- Don’t Cram Too Much on One Card
- Take Advantage of Poster-Sized Printing
- You Can Make One Film Fit All
- Is It Better to Underexpose or Overexpose?
- Keep from Accidentally Erasing Memory Cards
-
Nine. Taking Travel & City Life Shots Like a Pro: Tips for Urban Shooting
- How to Be Ready for “The Shot”
- Shoot Kids and Old People. It Can’t Miss
- Hire a Model (It’s Cheaper Than You’d Think)
- What Time to Shoot
- Look for Bold, Vivid Colors
- Shooting Travel? Visit PhotoSecrets.com First
- Don’t Try to Capture It All: Shoot the Details
- The Best Shot May Be Just Three Feet Away
- Shoot the Signs. You’ll Thank Yourself Later
- Showing Movement in the City
- Use an Aperture That Takes It All In
- For Maximum Impact, Look for Simplicity
- The Monopod Scam
- What to Do When It’s Been “Shot to Death”
- Including the Moon and Keeping Detail
- Shooting Fireworks
-
Ten. How to Print Like a Pro and Other Cool Stuff: After All, It’s All About the Print!
- The Advantages of Shooting in RAW
- How to Process RAW Photos in Photoshop
- Compare Your LCD to Your Computer Monitor
- Organizing Your Photos with Lightroom
- How Many More Megapixels Do You Need?
- Printing Lab-Quality 8×10s
- Printing Lab-Quality 13×19″ Prints
- Printing 16×20s—The Pros’ Top Choice
- Which Paper Should You Print On?
- What Determines Which Paper You Use?
- Getting Your Monitor to Match Your Printer
- Download the Color Profiles for Your Paper
- Selling Your Photos as “Stock” Online
- A Quick Peek at My Gear
- Some Books I Personally Recommend
- Learn from Me on Adobe® Photoshop® TV
-
Eleven. Photo Recipes to Help You Get “The Shot”: The Simple IngredientsThat Make It All ComeTogether
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
- The Recipe for Getting This Type of Shot
Product information
- Title: The Digital Photography Book, Part 1: The step-by-step secrets for how to make your photos look like the pros’!
- Author(s):
- Release date: August 2006
- Publisher(s): Peachpit Press
- ISBN: 9780321474049
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