Working Spaces II
What? Working spaces again? This is unfortunately a complex subject with no ideal solution. Common difficulties when selecting a working color space are:
DSLR cameras are able to capture color gamuts that are larger than those that most contemporary printers and monitors can reproduce.
If you want to use this capability to the full, you will need to work with 16-bit color depth in a large color space, such as ProPhoto RGB. If you use sRGB, Adobe RGB (1998), or eciRGB, you immediately lose some of your color range. Some high-end printers can reproduce colors that lie outside sRGB and Adobe RGB color spaces, and we are not keen on losing them if we can help it.
Figure 3-40. Most monitors can display neither the complete camera nor ...