Book description
As a director, you must have a concept, a "director's idea", to shape your approach to the actors, the camera, and the script. With this clear idea your film will be deeper and more effective, and you will be able to differentiate--and therefore make the choice--between competent directing and great directing. Using case studies of famous directors as real-world examples of "director's ideas", the author has provided the theory and the practice to help directors immediately improve their work.
Table of contents
- Cover
- Half Title
- Title Page
- Copyright
- Dedication
- Contents
- Acknowledgments
-
Part I: What the Director Does
- Chapter 1. Introduction
- Chapter 2. The Director’s Idea
- Chapter 3. The Competent Director
- Chapter 4. The Good Director
- Chapter 5. The Great Director
- Chapter 6. Text Interpretation
- Chapter 7. The Camera
- Chapter 8. The Actor
-
Part II: The Case Studies of Directing
- Chapter 9. Sergei Eisenstein: The Historical Dialectic
- Chapter 10. John Ford: Poetry and Heroism
- Chapter 11. George Stevens: The American Character—Desire and Conscience
- Chapter 12. Billy Wilder: Existence at Stake
- Chapter 13. Ernst Lubitsch: The Life Force of Romance
- Chapter 14. Elia Kazan: Drama as Life
- Chapter 15. François Truffaut: Celebrate the Child
- Chapter 16. Roman Polanski: The Aloneness of Existence
- Chapter 17. Stanley Kubrick: The Darkness of Modern Life
- Chapter 18. Steven Spielberg: Childhood Forever
- Chapter 19. Margarethe Von Trotta: Historical Life and Personal Life Intersect
- Chapter 20. Lukas Moodysson: Empathy and Its Limits
- Chapter 21. Catherine Breillat: The Warfare of Sexuality
- Chapter 22. Mary Harron: Celebrity and Banality
- Chapter 23. Conclusion
- Appendix: Finding the Director’s Idea
- Index
Product information
- Title: The Director's Idea
- Author(s):
- Release date: February 2006
- Publisher(s): Routledge
- ISBN: 9781136068775
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