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th e la n guag e of gr ap hic d es i gn
(Text)
Tobin, Isaac, 114
Toledo Museum of Art, 210
tone
characteristics, 180, 182, 183
definition, 178–180
types and effects, 185–186
Top Graphic Design (Henrion), 115
Toronto’s Indie Theatre and Arts Festival, 18
Toxico, 100
Transitional typefaces, 253
translative symmetry, 129
Transparent Things (Nabokov), 163
Tratturi Primitivo, 129
Travesties (Stoppard), 230
Triboro Design Solutions, 64, 156, 176
“A Tribute to Kind of Blue,” 185
Truth Machine (Lynch, et al.), 114
Tschichold, Jan, 125, 131, 133, 161, 191, 264
Twelfth Night (Shakespeare), 76
Twist Creative Inc., 36
Txikito Cocina Vasca, 25
Typographische Gestaltung (Asymmetric
Typography), 133
typography
alignment formats, 256, 258
color, 258–259
definition, 246–248
form variations, 250, 252
historical references, 248, 250
letterforms, anatomy of, 250, 251
optical issues, 254, 256
typeface, classifications of, 252–254
U
UCLA School of Architecture, 257
U&lc, 249
Ulm School of Design (Hochschule fur
Gestaltung-HfG Ulm), 201
Une Fête pour Boris (Bernhard), 166
Unimark International, 263
United Nations Documentary Film Festival,
25
United Workshops for Arts and Crafts, 239
Univers Family of Typefaces, 221
University of Chicago, 105
University of Kentucky, 34
Urban Influence Design Studio, 37, 39, 114,
138
Uribe, Adriana, 253
used book festival, 164
V
value, 118, 180, 182
van Doesburg, Theo, 161
Van Nuys Flyaway, 248
Van Vleck, Christina, 18, 264
The Verificationist (Antrim), 16
Vignelli, Lella, 263
Vignelli, Massimo, 263
Vignelli Associates, 263
Visual Arts Journal, 234
Visual Arts Press, 234
Visuel Design studio, 161
Vitruvian Man, 222
Vitruvius, 219, 222
Vivarelli, Carlo, 161
Voice, 104, 190
Volume Inc., 57, 90, 213, 215
Volume magazine, 184
The Von Zippers, 160
Vo te, 220
Vrgoc, Kruno, 224
W
W. L. Gore, 74
Waiting for Godot (Beckett), 118
Walrus, 254
weight of elements, 118, 120
Weill, Alain, 239
Werman, Hendrik, 181
Werner Design Werks, 86, 252
Whitman, Walt, 179
Who’s Afraid of Virginia Woolf? (Albee), 230
Widmer, Jean, 161
William Shakespeare: The Tragedy of King
Lear, 125
Williams, Genevieve, 88, 121
Wink, 38, 44, 200, 204, 206
Wolff Olins, 19, 35, 88, 259
World Trade Center Tribute Center, 206
World’s Proven Oil Reserves, 88
Woyzeck (Büchner), 166
Written Language and Power (Gnerre), 250
WUN, 86
Y
Yale University, 75, 266
Yale University School of Art and
Architecture, 229
Yenthus, Helen, 162
You Will Mingle, 175
Z
Zask, Catherine, 14, 26, 97, 157, 174, 177
Zeischegg, Walter, 201
Zeppetelli, Anita, 128
Zero Decibels: The Quest for Absolute
Silence (Foy), 182
Zurich Tonhalle, 23
Zwart, Piet, 133, 143, 161, 181
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William Shakespeare: The Tragedy of King
Lear, 125
Williams, Genevieve, 88, 121
Wink, 38, 44, 200, 204, 206
Wolff Olins, 19, 35, 88, 259
World Trade Center Tribute Center, 206
World’s Proven Oil Reserves, 88
Woyzeck (Büchner), 166
Written Language and Power (Gnerre), 250
WUN, 86
Y
Yale University, 75, 266
Yale University School of Art and
Architecture, 229
Yenthus, Helen, 162
You Will Mingle, 175
Z
Zask, Catherine, 14, 26, 97, 157, 174, 177
Zeischegg, Walter, 201
Zeppetelli, Anita, 128
Zero Decibels: The Quest for Absolute
Silence (Foy), 182
Zurich Tonhalle, 23
Zwart, Piet, 133, 143, 161, 181
Index
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Job No:11-22360 Title:RP-Language of Graphic Design
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Job No:11-22360 Title:RP-Language of Graphic Design
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