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The Language of Architecture by Val Warke, Andrea Simitch

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THE LANGUAGE OF ARCHITECTURE
Aalto, Alvar, 110, 177
Abierta, Ciudad, 198
Acropolis, 78
Adaptive Component Seminar (2009), 33
Adler and Sullivan, 166
Adler House, 176
Agrarian Graduate School of Ponte de Lima, 137
Allied and Arts Industries, 206
Altes Museum, 107
Aluminaire, 206
analysis
abstraction, 14–15
coauthorship, 16
components, 14
diagramming, 15
intermediary devices, 15–17
interpretation, 15–17
precedent, 10, 13
project givens, 10
Ando, Tadao, 121
Appliance House, 214
Arc de Triomphe, 38, 147
Arch, B., 17
Arch of Augustus, 38
Arp, Hans, 122
Arts Center (Portugal), 171
Asplund, Erik Gunnar, 186
Astaire, Fred, 142
Astana National Library, 154
Atheneum, 127
Auditorium Building (Chicago), 166
Autodesk Inc., 153
Automobile Museum (China), 131
Bacardi Rum bottling plant, 80
Bagsværd Church, 178
Bamboo Garden, 160
Bandel, Hannskarl, 115
Barlindhaug Consult, 57
Barragan, David, 205
Barragán, Luis, 122
Barrière du Trône, 142
Batay-Csorba, Andrew, 194
BCHO Architects, 199
Behnisch, Gunther, 74
Behrens, Peter, 183
de Beistegui Penthouse, 147
Belvedere, 71
Berkel, Ben van, 32, 55
Berklee School of Music, 204
Berlin Chair, 111
Bernini, Gian Lorenzo, 12
Bete Giyorgis, 69
Bijvoet, Bernard, 114
Bissegger, Peter, 115
Blanc, Patrick, 149
Boa Nova Tea House, 51
Bo Bardi, Lina, 71, 127
Bocconi University, 70
Bordeaux House, 39–40
Bordeaux Law Courts, 140
Borromini, Francesco, 10, 12, 135
Bos, Caroline, 32
Botta, Mario, 128
Boullée, Étienne-Louis, 141
Bourges, Romain de, 104
Braghieri, G., 35
Brandhorst Museum, 121
Brazilian Museum of Sculpture, 67
Bremerhaven 2000 competition, 85
Brown Derby restaurants, 140
Brown, Frank, 175
Bruder Klaus Field Chapel, 199
Burgo Paper Factory, 77
Burnham, Daniel, 193
Burnham Pavilion, 193
Burri, Alberto, 66
Bus Rapid Transit system (Brazil), 162
Café Aubette, 122
Caé Pedrocchi, 136
Cais das Artes (Arts Quay), 68
CaixaForum gallery, 149
Calatrava, Santiago, 81
Camera Obscura, 200
Campidoglio, 137
Candela, Felix, 80
Carabanchel housing project, 61
Cardi Bay Opera House, 212
Carnicero, Iñaqui, 152, 175–176
Carpenter Center for the Visual Arts, 44
Carré d’Art, 185
Carthage section, 34
Casa da Musica (Portugal), 99
Casa das Historias Paula Rego, 56
Casa Das Mudas, 171
Casa del Fascio, 34, 87
Casa del Popolo, 87
Casa Gilardi, 122
Casa Girasole (Sunflower House), 61
Casa Malaparte, 128
Casa Pentimento, 205
Casa Polli, 70
Case Study House #22, 204
CAST, 199
Castelvecchio, 115
Castle Hedingham, 13
Castle of Prague, 137
Cenotaph for a Warrior, 141
Center for the Advancement of Public Action, 50
Center for the Arab World, 123
Centre Georges Pompidou, 131
Cha, Jae, 47
Chanin Building, 210
Chapel at MIT, 118
Chapel of St. Ignatius, 119
Chareau, Pierre, 69, 114
Chemeto, Alexandre, 160
Chew, Kimberly, 17
Chicago Tribune oce, 113
Chiesa Nuova, 135
Chinati Foundation, 154
Chirico, Giorgio de, 10
Chrysalis III, 215
Church of Santa Maria, 104
Church of St. George (Ethiopia), 69
Church of the Light (Japan), 121
Church of the Sacred Heart (Prague), 143
City of Culture of Galicia, 53
City of Refuge, 166
concept
flexibility and, 20, 23
ideas compared to, 20
material models, 24
overlays, 24
parti diagram, 24
relief models, 24
sketches, 23–25
Index
Reproduced from Bernard Rudofsky’s Architecture
without Architects, Wulf-Diether Graf zu Castell
Munich/Reim, 56 (bottom), Reproduced from
Klaus Herdeg’s Formal Structure in Indian Architec-
ture, (1967), 54 (bottom), Reproduced from Philib-
ert de l’Orme, Architecture de Philibert de l’Orme
...: Oeuvre entiere contenant onze liures, augmentée
de deux …, Kroch Library, Cornell University,
(public domain), 192 (top, left & right), Reproduced
from Thomas L. Schumacher’s Surface and Symbol:
Giuseppe Terragni and the Architecture of Italian
Rationalism, drawing #31, 34 (bottom, right),
Reproduced from Spazio, Vol. 3, No. 6, December
1951–April 1952, 12, Reproduced from Spazio, Vol.
7, December 1952–April 1953, 11; 104 (right), Cour-
tesy of Richard Meier & Partners Architects LLP,
14; 127 (top), ©Siobhan Rockcastle, 62 (bottom);
79, Courtesy of Ronald Feldman Fine Arts, New
York/feldmangallery.com, 213 (top), Richard Rosa,
40, ©Corinne Rose, 86 (top, left & right), Aoife
Rosenmeyer, 112 (bottom), ©Eredi Aldo Rossi, 35
(top, left), Aurélien Le Rou, 141 (top, right), Royal
Institute of British Architects Library Books &
Periodicals Collection, 113 (bottom); 192 (bottom),
Andy Ryan, 120 (bottom), Jenny Sabin, 61 (top,
left); 201 (top), Mikaela Samuelsson, 155 (top,
right), Saramago, Pedro/Mãe D’Água, Lisboa, Por-
tugal, 2012, 146 (bottom, right), Nathaniel Saslaf-
sky, 121 (left), From Ottavio Bertotti Scamozzi, Le
fabbriche e i disegni di Andrea Palladio, Vicenza,
1796; Kroch Library, Cornell University, (public
domain), 106 (right), From Karl Friedrich Schinkel,
Sammlung architektonischer Entwürfe: enthaltend
148 Kupfer-Tafeln mit erlauternden Text, Potsdam,
1841–1843; Kroch Library, Cornell University,
(public domain), 107 (bottom), Chris Schroeer-
Heiermann, 199 (top, middle), Michael Schroeter,
190 (top, middle), Scott Schultz, 66 (middle,
left), ©Kyle Schumann, 50 (bottom), Michael
Schwarting, 206 (top, left), Davide Secci, 149
(top), Seier + Seier, 178 (left), Courtesy of Shigeru
Ban Architects, 76 (left), Courtesy of Shigeru Ban,
Architects/Photo: ©Hiroyuki Hirai, (76 (bottom,
right), SHoP Architects, PC, 163 (top & middle);
200 (bottom), Sigurgeir Sigurjónsson, 159 (bot-
tom, left), ©Petr Šmídek, 56 (top), ©Margherita
Spiluttini, 91; 95 (top), Courtesy of Steven Holl
Architects, 20; 35 (middle), Still Life, c.1952 (oil on
canvas), Morandi, Giorgio (1890–1964)/Private
Collection/The Bridgeman Art Library, 119 (bot-
tom), Francis Strauven, 45, Studio Granda, 54 (top,
right), Subdivided Columns, Michael Hansmeyer,
2010, 200 (top), Mathew Sweets, 204 (bottom,
right), Ida Tam, 159 (top); 182 (middle), Roland
Tännler, 207 (top), Photo: Taxiarchos228, 174 (top,
right), Team Leader: Dana Cupkova, Design Team:
Monica Alexandra Freundt, Andrew Heumann,
Daniel Quesada Lombo, Damon Wake/Photo:
Andrew Heumann, 33 (top, right), Team Leader:
Dana Cupkova/Design Team: Monica Alexandra
Freundt, Andrew Heumann, Daniel Quesada
Lombo, Damon Wake, Consultant: William Jewell,
Ph.D., 33 (top, left), ©Teatro Regio Torino/Photo
Ramella & Giannese, 143 (top, left), Mari Tefre/
Global Crop Diversity Trust, 57 (bottom), Skylar
Tibbits, 153 (bottom), Janice Tostevin/jhtostevin@
ntlworld.com, 140 (bottom), Trahan Architects,
195, Anh K. Tran, 140 (top, right), Turismo FVG
ph Fabrice Gallina, 190 (top, right), Courtesy of
UNStudio, 32 (top); 55 (top, right), Omar Uran,
159 (middle), Mauricio Vieto, 74 (bottom); 78;
81 (top); 106 (left); 122 (top), From Visionary
architects: Boullée, Ledoux, Lequeu, Catalogue of
an exhibition held at the University of St. Thomas,
1968, (public domain), 141 (top, left), ©Rajesh
Vora, 60 (top), Jarle Wæhler, 129 (top, left),
©Michael Webb, 112 (top), Kathy Wesselman, 119
(top, left & right), Julian Weyer, 71 (middle, right),
Wikipedia, 38 (left); 69 (top, right); 192 (middle),
Allison Wills, 146 (left), Duncan Wilson, 128 (top),
©Decker Yeadon LLC/deckeryeadon.com, 96
(top, right, middle & bottom), ©2010 Sophie Ying
Su/sophienesss.com, 119 (middle, right); 204 (top,
right), Zaha Hadid Architects, 25 (top, left & right,
middle); 130 (top, left); 211; 212, Lisa Zhu, 147
(top), Giorgio Zucchiatti, 110 (bottom)

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