on-demand course

Green Screen Production Master Class: Learn by Video

with Jeff Foster

May 2016

Beginner

3h 16m

English

Pearson

Closed Captioning available in English

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Course outline

Welcome
1m 39s
How Color Difference Matting Works: A Brief History
9m 22s
Variations on Green Screen and Matting Methods
4m 29s
Live Broadcast Green Screen with Hardware Keyers
4m 5s
A Video Tour of a Typical Green Screen Studio
1m 50s
HBO's John Adams: Professional Green Screen Compositing
3m 50s
Green/Blue Screen Materials and Processes
4m 12s
A Live Video Guide to Green Screen Materials
6m 57s
Setting Up a Portable Green Screen Frame
3m 27s
Blue vs. Green Screen and HD Camera Technology
6m 41s
The Reflecmedia LED Front-Projection System
2m 56s
Using Portable Pop-Up Screens Lit by the Sun
3m 59s
Basic Lighting Setups and Positioning
8m 45s
Setting White Balance
1m 17s
Using a Scope to Measure Your Green Screen Exposures
3m 35s
Setting the 70% Zebra on Your Camera
1m 57s
Comparing Materials and Light Combinations on the Scope
1m 11s
Adjusting Kino Flo Portable Lights and Using the Scope
1m 35s
Using Colored Lights to Reduce Light and Correct Screen Issues
3m 16s
Lighting the Foreground Subjects for Your Intended Composite
1m 58s
Storyboards and Animatics
3m 5s
On-Set Direction for Best Results in Post
5m 50s
Props and Two-Color Screens
4m 37s
Contact with the Green Screen
2m 48s
Pro Lighting with Kino Flos
2m 47s
Positioning Portable Lights for Creative Lighting Effects
6m 20s
Adding Tracking Markers to Green Screen
2m 42s
Building the Portable NanoSoftBox 500-Watt Light (Part 1)
6m 37s
Building the Portable NanoSoftBox 500-Watt Light (Part 2)
7m 41s
Building Variations of Portable Lights
1m 19s
Using Homemade Lights with a Green Screen
2m 43s
VeeScopeLive: Affordable Live Keying Software
3m 6s
The Conduit 2.0 Compositing Suite
3m 20s
The Boris Continuum Complete AE 8
3m 46s
The Keylight Effect in After Effects
5m 4s
Using Ultimatte Hardware in Real Time
2m 16s
Using NewTek TriCaster 850 with LiveSet
1m 49s
Working with Preconstructed 3D Sets (VirtualSet.com)
2m 28s
Building Your Own 3D Sets (PhotonCraft.com)
3m 12s
Creating Simulated Camera Moves in Post
5m 8s
Using Keylight to Color-Correct the Foreground to Match the Background
2m 55s
Matching Foreground to Background Plates with Rack Focus
6m 28s
Modifying Layers for Effect
3m 45s
Fixing Poorly Lit Green Screen Footage
3m 15s
Compensating for Underexposure
5m 34s
Correcting Difficult Spill
3m 21s
Planning the studio
5m 9s
Setting up the studio
3m 50s
Scoping the lights on the screen
2m 58s

iPad/iPhone measurement tools
2m 2s
V-scope Live on iPad
3m 18s

Overview

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Publisher Resources

ISBN: 9780133489095

Green Screen Production Master Class: Learn by Video

with Jeff Foster

In this chapter you'll get an introduction to the subjects of color keying and matte extraction. We'll begin with a brief history and then look at examples of materials and methods.

If you're going to get the results you want from your green screen shoot, it's vitally important that you choose the right materials. In this chapter we'll explore the various materials and technologies available so you'll be able to make informed choices.

In this chapter you'll learn how to light the green screen and subject and position the camera.

In this chapter we'll look at a few things you should know about when planning your shoot. The topics covered include storyboards, working with props and two-color screens, and what to do when your subjects need to make contact with the green screen.

This chapter looks at some higher-end lighting options, both studio and portable. It also explores some ideas for making the most of your budget by building your own lights.

In this chapter we'll explore some of the software options available to you for keying and matte extraction.

Virtual sets offer some extremely powerful capabilities. This chapter looks at the tools and techniques involved.

Compositing footage from different sources can be tricky – you need to make sure the elements match. This chapter will explore some techniques for doing so.

This chapter looks at some common problems you're likely to encounter when working with green screen footage and suggests solutions.

This chapterwill follow the planning, production, lighting and shooting on a portable/removeable green screen wall in a small existing corporate studio.

This chapter covers the current iPhone/iPad devices created for testing the lighting on a green screen and some simple iPad compositors.

Overview

Become an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
and much more.

You might also like

Video Production: Learn by Video

'Black and White: From Snapshots to Great Shots (Streaming Video)'

Make Your First Video with iMovie 11: Learn by Video

Creating Online Videos That Engage Viewers

Publisher Resources

In this chapter you'll get an introduction to the subjects of color keying and matte extraction. We'll begin with a brief history and then look at examples of materials and methods.

If you're going to get the results you want from your green screen shoot, it's vitally important that you choose the right materials. In this chapter we'll explore the various materials and technologies available so you'll be able to make informed choices.

In this chapter you'll learn how to light the green screen and subject and position the camera.

In this chapter we'll look at a few things you should know about when planning your shoot. The topics covered include storyboards, working with props and two-color screens, and what to do when your subjects need to make contact with the green screen.

This chapter looks at some higher-end lighting options, both studio and portable. It also explores some ideas for making the most of your budget by building your own lights.

In this chapter we'll explore some of the software options available to you for keying and matte extraction.

Virtual sets offer some extremely powerful capabilities. This chapter looks at the tools and techniques involved.

Compositing footage from different sources can be tricky – you need to make sure the elements match. This chapter will explore some techniques for doing so.

This chapter looks at some common problems you're likely to encounter when working with green screen footage and suggests solutions.

This chapterwill follow the planning, production, lighting and shooting on a portable/removeable green screen wall in a small existing corporate studio.

This chapter covers the current iPhone/iPad devices created for testing the lighting on a green screen and some simple iPad compositors.

Overview

Become an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,and much more.

You might also like

Video Production: Learn by Video

'Black and White: From Snapshots to Great Shots (Streaming Video)'

Make Your First Video with iMovie 11: Learn by Video

Creating Online Videos That Engage Viewers

Publisher Resources

Become an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
and much more.