book

Photoshop® CS3 Bible

Name: Photoshop® CS3 Bible
ISBN: 9780470115411

by Laurie Ulrich Fuller, Robert C. Fuller

July 2007

Beginner to intermediate

1216 pages

30h 31m

English

Wiley

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Copyright
About the Authors
Credits
Preface
About This Edition of the BookConventionsVocabularyCommands and optionsThe whole platform thingVersion names and numbersIconsContact
I. Welcome to Photoshop
1. Welcome to Photoshop CS3
1.1. Image-Editing Concepts1.1.1. Raster versus vector1.1.1.1. Raster images1.1.1.2. Vector images1.1.2. The ups and downs of painting1.1.3. The downs and ups of drawing1.1.4. When to use Photoshop1.1.5. When to use a drawing program1.2. What's New in Photoshop CS31.3. Summary
2. Photoshop Inside Out
2.1. Diving in with the Splash Screen2.2. Using the Photoshop Workspace2.2.1. The Info palette2.2.1.1. Document size2.2.1.2. Image position2.2.1.3. Image color2.2.1.4. Document measurements2.2.1.5. Memory consumption and availability2.2.1.6. Operating efficiency2.2.1.7. Photoshop operations timing2.2.1.8. Measurement Scale2.2.1.9. The active tool2.2.2. The tools2.2.3. The Toolbox controls2.2.3.1. Screen Modes2.2.4. The Options bar2.2.5. Tool presets2.2.6. The Preset Manager2.2.7. Docked and floating palettes2.2.8. Rearranging and docking palettes2.2.8.1. Tabbing through the options2.3. Navigating in Photoshop CS32.3.1. The view size2.3.1.1. Actual pixels2.3.1.2. Fit on screen2.3.1.3. Print size2.3.2. The Zoom tool2.3.3. The Zoom commands2.3.4. The Navigator palette's magnification field2.3.5. Creating a reference window2.3.6. Scrolling in the window2.3.7. The Navigator palette2.4. Customizing the Interface2.5. The Preference Panels2.5.1. General preferences2.5.2. Interface2.5.3. File Handling2.5.4. Performance2.5.4.1. Memory Usage2.5.4.2. History & Cache2.5.4.3. Scratch Disks2.5.4.4. Changes affect the next session2.5.5. Cursors2.5.6. Transparency & Gamut2.5.6.1. Transparency settings2.5.6.2. Gamut warning2.5.7. Units & Rulers2.5.7.1. Rulers2.5.7.2. Type2.5.7.3. Column Size2.5.7.4. New Document Preset Resolutions2.5.7.5. Point/Pica Size2.5.8. Guides, Grid, Slices & Count2.5.8.1. Guides2.5.8.2. Smart Guides2.5.8.3. Grid2.5.8.4. Slices2.5.8.5. Count2.5.9. Plug-Ins2.5.9.1. Additional Plug-Ins Folder2.5.9.2. Legacy Photoshop Serial Number2.5.10. Type2.6. Summary
3. Image Management
3.1. Size versus Resolution3.2. Changing the Printing Resolution3.3. Changing the Page-Layout Resolution3.4. Knowing the Best Resolution3.5. The Resolution of Screen Images3.6. Opening, Duplicating, and Saving Images3.6.1. Creating a new image3.6.1.1. Units of measure3.6.1.2. New image size3.6.1.3. Color Mode3.6.1.4. Background Contents3.6.1.5. Color Profile3.6.1.6. Pixel Aspect Ratio3.6.1.7. Naming the new image3.6.2. Opening an image3.6.2.1. Viewing the thumbnail3.6.2.2. Previewing outside Photoshop3.6.2.3. Opening elusive files in Windows3.6.2.4. Opening elusive files on a Mac3.6.2.5. Finding lost files on a Mac3.7. Using the Bridge3.7.1. A typical Bridge session3.7.2. Opening images from the Bridge3.7.3. Your Bridge view options3.7.4. Selecting images3.7.5. Rotating images3.7.6. Adding an image to Favorites3.7.6.1. Labeling and rating images3.7.6.2. Viewing and using metadata3.7.6.3. Viewing and adding Keywords3.7.6.4. Choosing Suite Color Settings3.7.6.5. Setting Camera Raw preferences3.7.6.6. Selecting and saving a Bridge workspace3.7.7. Managing the cache3.7.8. Renaming files3.7.9. Using the File Info command3.7.10. Duplicating an image3.8. Saving an Image to Disk3.8.1. Adding an extension to Mac files3.8.2. Choosing other save options3.8.3. The Save for Web & Devices dialog box3.9. File Format Roundup3.9.1. The native format3.9.2. Special-purpose formats3.9.2.1. Microsoft Paint's BMP3.9.2.2. Camera Raw3.9.2.3. Cineon3.9.2.4. CompuServe's GIF3.9.2.5. PC Paintbrush's PCX3.9.2.6. Adobe's paperless PDF3.9.2.7. Apple's PICT3.9.2.8. PICT resource3.9.2.9. Pixar workstations3.9.2.10. PNG for the Web3.9.2.11. Large Document Format (PSB)3.9.2.12. Scitex image processors3.9.2.13. TrueVision's TGA3.9.2.14. Acrobat TouchUp Image3.9.2.15. Wireless Bitmap3.9.3. Inter-application formats3.9.3.1. Rasterizing an Illustrator or FreeHand file3.9.3.2. Placing an EPS illustration3.9.3.3. Saving an EPS image3.9.3.4. QuarkXPress DCS3.9.3.5. Premiere Filmstrip3.9.4. The mainstream formats3.9.4.1. JPEG3.9.4.2. TIFF3.9.5. Formatting Outcasts3.9.5.1. Photo CD YCC images3.9.5.2. Opening raw documents3.9.5.3. Saving a raw document3.9.6. Still can't get that file open?3.10. Adding Annotations3.10.1. Making a note of it3.10.2. Speaking your mind3.10.3. Managing annotations3.11. Resampling and Cropping3.11.1. Resizing versus resampling3.11.1.1. Resizing an image3.11.1.2. Resampling an image3.11.2. Cropping3.11.2.1. Changing the canvas size3.11.2.2. Using the Crop tool3.11.2.3. Rotating the crop marquee3.11.2.4. Cropping an image to match another3.11.2.5. Cropping a selection3.11.2.6. Cropping and straightening crooked scans3.12. Using the Analysis Menu Tools3.12.1. Measuring with the Ruler tool3.12.2. Counting within your image3.13. Creating Custom Actions3.13.1. How actions work3.13.2. Editing an action3.13.3. Playing actions and operations3.13.4. Saving and loading sets3.14. Summary
II. Painting and Retouching
4. Defining Colors
4.1. Specifying Colors4.2. Using the Color Picker4.3. Typing Numeric Color Values4.4. Working in Different Color Modes4.4.1. RGB4.4.2. HSB4.4.3. CMYK4.4.3.1. Commercial subtractive primaries4.4.3.2. Editing in CMYK4.4.3.3. Should I edit in CMYK?4.4.3.4. Previewing the CMYK color space4.4.4. CIE's Lab4.4.5. Understanding Lab anatomy4.4.5.1. Using Lab4.4.6. Indexed Color4.4.7. Grayscale4.4.7.1. Search your channels before converting4.4.8. 16 and 32 bits per channel4.4.9. Black and white (bitmap)4.5. Using Color Libraries4.5.1. Predefined colors4.5.1.1. Focoltone, DIC, Toyo, and HKS4.5.1.2. Newspaper Association of America4.5.1.3. Trumatch4.5.1.4. Pantone4.5.2. The Color palette4.5.3. The Swatches palette4.5.4. Swatches presets4.5.5. The Eyedropper tool4.5.6. The Color Sampler tool4.6. Introducing Color Channels4.6.1. For those of you who just said "So?"4.6.2. How channels work4.6.3. Switching and viewing channels4.7. Trying Channels on for Size4.7.1. RGB channels4.7.2. CMYK channels4.7.3. Lab channels4.8. Other Channel Functions4.9. Color Channel Effects4.9.1. Improving the appearance of color scans4.9.2. Using multichannel techniques4.10. Summary

5. Painting and Brushes
5.1. Getting to Know the Painting and Editing Tools5.1.1. The paint tools5.1.2. The edit tools5.2. Basic Techniques5.2.1. Painting a straight line5.2.1.1. Click (don't drag) your mouse5.2.1.2. Click and drag your mouse5.2.2. Painting with the Smudge tool5.2.3. Sponging color in and out5.2.4. Using the Color Replacement tool5.2.5. Undoing your damage5.3. Brush Size and Shape5.3.1. Selecting a brush shape5.3.2. Making your own brush shape5.3.3. Creating your own specialized brushes5.3.4. Saving and loading brush sets5.4. Brush Dynamics5.4.1. Brush dynamic basics5.4.2. Shape dynamics5.4.2.1. The diameter settings5.4.2.2. Angle and roundness5.4.3. Additional brush dynamics5.4.4. Noise, Wet Edges, and the rest5.4.5. Undoing pressure-sensitive lines5.5. Opacity and Strength, Flow and Exposure5.6. Brush Modes5.6.1. The 27 paint tool modes5.6.2. The three Dodge and Burn modes5.7. Summary
6. Filling and Stroking
6.1. Filling Selections with Color or Patterns6.2. The Paint Bucket Tool6.3. The Fill Command6.4. Backspace and Delete Key Techniques6.5. Applying Gradient Fills6.5.1. Using the Gradient tool6.5.2. Gradient options6.5.3. Gradient styles6.5.4. Creating custom gradients6.5.5. Editing solid gradients6.5.5.1. Adjusting colors in a solid gradient6.5.5.2. Adjusting the transparency mask6.5.6. Creating noise gradients6.5.7. Saving and managing gradients6.5.8. Gradients and brush modes6.6. Applying Strokes and Arrowheads6.6.1. Stroking a selection outline6.6.2. Applying arrowheads to straight lines6.7. Summary
7. Retouching and Restoring
7.1. Using the Tools of the Trade7.2. Cloning and Healing7.2.1. The Clone Stamp tool7.2.1.1. How cloning works7.2.1.2. Cloning options7.2.2. The Clone Source Palette7.2.3. The Healing Brush tool7.2.3.1. How the healing works7.2.3.2. Healing options7.2.4. The Spot Healing Brush7.2.5. The Patch tool7.2.6. The Red Eye tool7.3. Retouching Photographs7.4. Restoring an Old Photograph7.5. Stepping Back through Time7.5.1. Using the traditional undo functions7.5.2. The History palette7.5.3. Painting away the past7.5.3.1. The Eraser tool7.5.3.2. The History Brush tool7.5.3.3. The Art History Brush tool7.5.3.4. Source state limitations7.6. Summary
III. Selections, Masks, and Filters
8. Selections and Paths
8.1. Understanding How Selections Work8.2. Geometric Selection Outlines8.3. Free-form Outlines8.4. Magnetic Selections8.4.1. Using the Magnetic Lasso tool8.4.2. Modifying the Magnetic Lasso options8.5. The Magic(al) Wand8.5.1. Adjusting the tolerance8.5.2. Making the Wand see beyond a single layer8.6. The Quick Selection Tool8.7. Ways to Change Selection Outlines8.7.1. Quick changes8.7.2. Manually adding and subtracting8.7.3. Power-user tricks8.7.4. Adding and subtracting by command8.7.5. Softening selection outlines8.7.5.1. The math behind the feather8.7.5.2. Putting feathering to use8.7.6. Refining Selection Edges8.8. Moving and Duplicating Selections8.8.1. The role of the Move tool8.8.2. Making precise movements8.8.3. Cloning a selection8.8.4. Moving a selection outline independently of its contents8.8.5. Scaling or rotating a selection outline8.9. Drawing and Editing Paths8.9.1. Paths overview8.9.1.1. How paths work8.9.1.2. Sorting through the path tools8.9.2. Drawing paths with the Pen tool8.9.2.1. The anatomy of points and segments8.9.2.2. Going freeform8.9.2.3. Going magnetic8.9.3. Editing paths8.9.3.1. Reshaping paths8.9.3.2. Adding and deleting points and segments8.9.3.3. Converting points8.9.3.4. Transforming paths8.9.3.5. Moving and cloning paths8.9.3.6. Merging and deleting paths8.9.4. Filling paths8.9.5. Painting along a path8.9.6. Converting and saving paths8.9.6.1. Converting paths to selections8.9.6.2. Converting selections to paths8.9.6.3. Saving paths with an image8.10. Importing and Exporting Paths8.10.1. Swapping paths with Illustrator8.10.2. Exporting to Illustrator8.10.3. Retaining transparent areas in an image8.11. Summary
9. Masks and Extractions
9.1. Painting and Editing Inside Selections9.2. Working in Quick Mask Mode9.2.1. How the Quick Mask mode works9.2.2. Changing the red coating9.2.3. Gradations as masks9.2.3.1. Fading an image9.2.3.2. Applying special effects gradually9.3. Generating Masks Automatically9.3.1. The Magic Eraser9.3.2. The more magical Background Eraser9.3.3. The still more magical Extract command9.3.4. Using the Color Range command9.3.5. A few helpful Color Range hints9.4. Creating an Independent Mask Channel9.4.1. Saving a selection outline to a mask channel9.4.1.1. Transferring a Selection to an Independent Channel9.4.2. Converting a mask to a selection9.4.3. Viewing mask and image9.5. Summary
10. Corrective Filtering
10.1. Looking at Filters10.1.1. Corrective filters10.1.2. Destructive filters10.1.3. Effects filters10.1.4. Working with Smart Filters10.1.4.1. How Smart Filters work10.1.4.2. Move, copy, and rearrange Smart Filters10.1.5. Using Smart Filters masks10.1.5.1. Masking Smart Filters10.2. Understanding How Filters Work10.2.1. External plug-ins10.2.2. Previewing filters10.2.3. Reapplying the last filter10.2.4. Nudging numerical values10.3. Fading a Filter10.3.1. Creating layered effects10.3.2. Filtering inside a border10.3.3. Undoing a sequence of filters10.4. Heightening Focus and Contrast10.4.1. Using the Unsharp Mask filter10.4.1.1. Specifying the amount of sharpening10.4.2. Getting rid of halos10.4.2.1. Setting the thickness of the edges10.4.2.2. Recognizing edges10.4.3. Using the preset sharpening filters10.4.4. Using the Smart Sharpen filter10.4.5. Using the High Pass filter10.4.6. Converting an image into a line drawing10.5. Blurring an Image10.5.1. Applying the Gaussian Blur filter10.5.2. Using preset blurring filters10.5.3. Anti-aliasing an image10.5.4. Directional blurring10.5.4.1. Motion blurring10.5.4.2. Using the Wind filter10.5.4.3. Radial blurring10.5.4.4. Blurring with a threshold10.5.5. Using the Lens Blur filter10.5.6. Applying a Box Blur10.5.7. Using the Shape Blur10.5.8. Working with Surface Blur10.6. Understanding Noise Factors10.6.1. Adding noise10.6.1.1. Noise variations10.6.1.2. Chunky noise10.6.2. Getting rid of noise10.6.3. Removing noise with Despeckle10.6.4. Averaging pixels with Median10.6.5. Cleaning up scanned halftones10.6.6. Using the Average filter10.7. Summary
11. Distortions and Effects
11.1. Creating Bizarre Effects11.1.1. What about the others?11.1.2. Having the right RAM and system resources11.2. Using the Filter Gallery11.3. Playing with the Pixelate Filters11.3.1. Creating a mezzotint11.4. Working with Edge-Enhancement Filters11.4.1. Embossing an image11.4.2. Tracing around edges11.4.3. Creating a metallic coating11.5. Distortion Filters11.5.1. The fun-house mirror11.5.2. Twirling spirals11.5.3. Zigging and zagging11.5.4. Creating parallel ripples and waves11.5.4.1. The Ripple filter11.5.4.2. Ocean Ripple and Glass11.5.4.3. The Wave filter11.5.5. Distorting an image along a curve11.5.6. Changing to Polar Coordinates11.5.7. Working with Lens Correction11.5.8. Distorting with the Liquify command11.5.8.1. Liquify basics11.5.8.2. The Liquify tools11.5.8.3. Freezing and thawing pixels11.5.8.4. Reconstructing and restoring11.5.9. Creating a vanishing point11.5.10. Vanishing Point basics11.6. Adding Clouds and Spotlights11.6.1. Creating clouds11.6.2. Using the Fibers filter11.6.3. Lighting an image11.7. Summary
12. Custom Effects
12.1. Creating Homegrown Effects with the Custom Filter12.1.1. Custom filter advice12.1.2. Applying custom values12.1.3. Symmetrical effects12.1.4. Sharpening12.1.4.1. Blurring12.1.4.2. Edge detection12.1.5. Non-1 variations12.1.5.1. Lightening overly dark effects12.1.5.2. Darkening overly light effects12.1.5.3. Using extreme offsets12.1.6. Other custom effects12.1.6.1. Directional blurs12.1.6.2. Embossing12.2. Displacing Pixels in an Image12.2.1. Displacement theory12.2.1.1. Direction of displacement12.2.1.2. Brightness value transitions12.2.2. The Displace dialog box12.3. Using Displacement Maps12.3.1. Applying predefined dmaps12.3.2. Customizing a dmap to an image12.3.3. Using the Pattern Maker12.3.3.1. Generating a pattern12.3.3.2. Tile Generation options12.3.4. Designing patterns with filters12.4. Summary
IV. Layers, Objects, and Text
13. Working with Layers
13.1. Sending a Selection to a Layer13.1.1. Other ways to make a layer13.1.2. Duplicating a layer13.2. Layer Basics13.2.1. Switching between layers13.2.2. Switching layers from the keyboard13.2.3. Selecting similar layers13.2.4. Understanding transparency13.2.5. Modifying the background layer13.2.6. Reordering layers13.2.7. Displaying layer edges13.2.8. Automated matting techniques13.2.9. Blending layers13.2.10. Fusing several layers13.2.11. Deleting layers13.2.12. Saving a flattened version of an image13.3. Selecting the Contents of Layers13.4. Moving, Linking, and Aligning Layers13.4.1. Linking and unlinking13.4.2. Organizing layers in groups13.4.3. Aligning Layers Automatically13.5. Creating and Using Smart Objects13.5.1. Creating a new Smart Object13.5.2. Editing Smart Objects13.5.3. Exporting and replacing Smart Objects13.5.4. Working with image stacks13.5.4.1. Understanding Stack Mode13.5.4.2. Making an image stack13.5.4.3. Applying Stack Mode options13.5.5. Rasterizing a layer13.5.6. Locking layers13.5.7. Using guides and Smart Guides13.5.7.1. Adding guides13.5.7.2. Showing, hiding, and controlling guides13.5.7.3. Intelligent alignment with Smart Guides13.5.8. Setting up the grid13.5.9. Using the Ruler tool13.6. Applying Transformations13.6.1. Transforming the entire image13.6.2. Transforming layers and selected pixels13.6.3. Warping layers13.6.4. Numerical transformations13.7. Masking and Layers13.7.1. Preserving transparency13.7.2. Creating layer-specific masks13.7.3. Pasting inside a selection outline13.7.4. Masking groups of layers13.8. Working with Layer Comps13.9. 3D Image Editing13.9.1. Working with 3D files13.9.2. Applying Transformations to a 3D model13.9.3. Modifying the position of the Camera13.9.4. Creating Camera Views13.9.5. Working with Lighting and Rendering Effects13.9.6. Working with Cross Section Views13.9.7. Editing Textures in 3D models13.10. Summary
14. The Wonders of Blend Modes
14.1. Opacity and Fill14.2. Blend Modes14.2.1. The hierarchy of blend modes14.2.1.1. Sandwiching a filtered image14.2.1.2. Creating a Difference sandwich14.3. Advanced Blending Options14.3.1. Blending interior layer effects14.3.2. Masking and unmasking effects14.3.3. Dumping whole color channels14.3.4. Making knockouts14.4. Dropping Out and Forcing Through14.4.1. Color range sliders14.4.2. Fuzziness14.5. Whole Image Calculations14.5.1. The Apply Image command14.5.1.1. The Apply Image options14.5.1.2. Compositing with a mask14.5.2. Add and Subtract14.5.2.1. Applying the Add command14.5.2.2. Applying the Subtract command14.5.3. The Calculations command14.5.4. Combining masks14.6. Summary
15. Shapes and Styles
15.1. Drawing Polygons, Lines, and Custom Shapes15.1.1. The pros and cons of shapes15.1.2. The shape tools15.1.3. Drawing the shape15.1.4. Combining and editing shapes15.2. Beauty on the Inside15.3. Beauty on the Outside15.3.1. The advantages of layer effects15.3.2. Inside the Layer Style dialog box15.4. Modifying and Saving Effects15.4.1. Disabling effects15.4.2. Duplicating effects15.4.3. Scattering effects to the four winds15.4.4. Saving effects as styles15.5. Summary
16. Fully Editable Text
16.1. The Five Flavors of Text16.2. Text as Art16.3. Using the Type Tool16.3.1. Building text in Photoshop16.3.2. Editing and formatting16.3.3. Type layers16.3.4. Creating vertical type16.4. Creating and Manipulating Text in a Frame16.4.1. Selecting and editing text16.5. Applying Character Formatting16.5.1. Font16.5.2. Size16.5.3. Leading16.5.4. Kerning16.5.5. Fractional Widths and System Layout16.5.6. Tracking16.5.7. Horizontal and vertical scaling16.5.8. Baseline16.5.9. Color16.5.9.1. Anti-aliasing16.6. Applying Paragraph Formatting16.6.1. Alignment16.6.2. Roman Hanging Punctuation16.6.3. Justification16.6.4. Indents and paragraph spacing16.6.5. Hyphenation16.6.6. Line breaks and composition methods16.6.7. Checking your spelling16.7. Finding and Replacing Text16.8. Fitting Type on a Path16.8.1. Creating text on a path16.8.2. Adding text inside a path16.9. Warping Text16.10. Editing Text as Shapes16.11. Summary
V. Color and Output
17. Essential Color Management
17.1. A Typical Color-Matching Scenario17.1.1. Setting up the source monitor17.1.1.1. The Macintosh Display Calibrator Assistant17.1.1.2. The Adobe Gamma control panel17.1.2. Selecting the ideal working space17.1.3. Embedding the profile17.1.4. Setting up the destination space17.1.5. Defining color management policies17.1.6. Converting the color space17.2. Color Conversion Central17.2.1. Description17.2.2. Working spaces17.2.3. Color management policies17.2.4. More options17.3. Custom CMYK Setup17.3.1. Saving and loading color settings17.3.2. Creating a profile that appears in the CMYK pop-up menu17.4. Synchronizing Bridge Color Settings17.5. Summary
18. Mapping and Adjusting Colors
18.1. Color Effects and Adjustments18.2. Colors in Need of Adjustment18.3. Quick and Automatic Color Effects18.3.1. Invert18.3.2. Equalize18.3.3. Threshold18.3.4. Posterize18.4. Quick and Automatic Corrections18.4.1. Gray areas18.4.2. The Auto Levels command18.4.3. The Auto Contrast command18.4.4. The Auto Color command18.5. Adjusting Hues and Colorizing Images18.5.1. Using the Hue/Saturation command18.5.1.1. Correcting out-of-gamut colors18.5.1.2. Avoiding gamut-correction edges18.5.2. Colorizing images18.5.3. Shifting selected hues18.5.4. Shifting predefined colors18.5.5. Filtering colors18.5.6. Using the Variations command18.5.7. Using the Match Color command18.5.8. Enhancing colors in a compressed image18.6. Making Custom Brightness Adjustments18.6.1. The Histogram palette18.6.2. The Levels command18.6.3. The Curves command18.6.4. Gradient maps18.6.5. The Shadow/Highlight command18.6.6. Correcting exposure18.6.7. Adjusting Black and White Per Channel18.7. Adjustment Layers18.8. The Advantages of Layer-Based Corrections18.9. Correcting Camera Raw Images18.9.1. Making color adjustments18.9.2. Sharpening and smoothing18.9.3. Correcting for the camera lens18.9.4. Tweaking the profile18.9.5. Opening and saving Camera Raw images18.9.6. Saving your Camera Raw settings18.9.7. Applying your saved Camera Raw settings18.10. Summary
19. Animating and Working with Video
19.1. Working with Video, Image Sequences, and Animation19.1.1. Understanding video layers19.1.2. The Timeline palette19.1.2.1. Timeline palette controls and features19.1.2.2. Customizing the Timeline palette19.1.3. Editing duration and frame rate settings19.1.4. Creating video images19.1.4.1. Add existing images to your video file19.1.4.2. Creating new images for video19.1.4.3. Setting the right pixel aspect ratio19.1.5. Working with video actions19.1.6. Working with Adobe After Effects19.1.7. Importing video and image sequences19.1.8. Inserting video and image sequences19.1.9. Working with alpha channels and mattes19.1.10. Using the Interpret Footage command19.1.11. Understanding interlaced and non-interlaced video19.1.11.1. Interlaced video19.1.11.2. Non-interlaced video19.2. Creating Animations19.2.1. Keyframes defined19.2.1.1. Working with keyframe icons19.2.1.2. Associating keyframes with the current time19.2.1.3. Repositioning the keyframe navigator and selecting keyframes19.2.1.4. Moving, copying, and pasting keyframes19.2.2. Building an animation with drawing tools19.2.2.1. Working with onion skins19.2.2.2. Turning layers on and off19.2.3. Previewing video and animations19.2.3.1. Previewing video display19.2.4. Saving your video and animations19.3. Creating Animated GIF Images19.4. Rotoscoping19.5. Summary
20. Printing and Publishing with Photoshop
20.1. Understanding Printing Terminology20.2. Printing Composites20.2.1. Printing a composite image20.2.2. Basic print setup20.2.3. Color management20.2.4. Output20.2.5. Setting up the page20.2.5.1. Position and scaling options20.2.6. Output options in depth20.2.7. Color management options in depth20.2.7.1. Changing the halftone screen20.2.7.2. Specifying a transfer function20.2.8. Printing pages20.2.8.1. Printer-specific options20.3. Creating Color Separations20.3.1. Outputting separations20.3.2. Color trapping20.4. Printing Duotones20.4.1. Creating a duotone20.4.2. Editing individual duotone plates20.5. Optimizing Images for Web Publication20.6. Choosing the Right Web Graphic Format20.6.1. Graphic Interchange Format (GIF)20.6.2. JPEG file interchange format20.6.3. Portable Network Graphics (PNG) format20.6.4. The Save For Web & Devices dialog box20.7. Optimizing Images into GIF and PNG-8 Formats20.7.1. Optimization presets20.7.2. Custom GIF and PNG-8 optimization settings20.7.2.1. Dynamic Color palette options20.7.2.2. Fixed Color palette options20.7.2.3. Custom Color palette options20.7.2.4. Applying dither settings20.7.2.5. GIF and PNG-8 Transparency and Matte settings20.7.2.6. Interlacing graphics20.8. Optimizing Images into JPEG and PNG-24 Formats20.8.1. Optimization presets20.8.2. Custom JPEG and PNG-24 optimization settings20.8.2.1. JPEG and PNG-24 Transparency and Matte settings20.8.2.2. Progressive JPEG and interlaced PNG-2420.9. Resizing Images20.10. Slicing and Dicing an Image20.10.1. Creating slices20.10.2. Editing slices20.10.3. Setting slice options20.10.4. Saving slices20.11. Publishing from the Bridge20.11.1. Printing contact sheets20.11.2. Creating a picture package20.11.3. Creating a Web Photo Gallery20.11.4. Creating a PDF presentation20.11.5. Combining Images with Merge to HDR20.11.6. Using Photomerge to create a panorama20.12. Batch Processing20.13. Summary
VI. Appendixes
A. The Keyboard and Menus, and Making Photoshop Your Own
A.1. Hidden Shortcuts and ModifiersA.1.1. Windows Alt-key combosA.1.2. The shortcut menuA.1.3. Toolbox shortcutsA.1.4. Palette shortcutsA.2. Customizing Keyboard ShortcutsA.2.1. Customizing menusA.2.2. Creating a new menu setA.3. The Great-Grandmother of All Shortcut Tables
B. What's on the CD-ROM?
B.1. System RequirementsB.2. Using the CDB.3. What's on the CDB.3.1. Images from the bookB.3.2. TutorialsB.4. TroubleshootingB.5. Customer Care
Wiley Publishing, Inc. End-User License Agreement

Overview

Get the book you need to succeed in any Photoshop endeavor -- Photoshop CS3 Bible. In this totally updated edition to the international bestseller, the authors show you how to master every aspect of Photoshop -- from image-editing basics to new techniques for working with camera raw images. You'll learn how to retouch, color correct, manipulate, and combine images using Photoshop. You'll discover how to create cutting-edge special effects for digital or film-based images, and use them on the Web or in print. And you'll find out how to use the File Browser, histogram palette, Lens Blur, Match Color, the color replacement tool, customizable keyboard shortcuts, and more. The authors' easy and approachable writing style demystifies even the most complex Photoshop tasks. Order today and master Photoshop CS3.

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