The sooner you think about 3D, the better your movie will be. The impact of sound and color on preproduction is obvious. You could argue that a movie script is not written specifically for a black-and-white or color treatment. That’s far from the truth, and the impact of color and widescreens on external loca- tion cameras has been documented over and over.
General comments on script writing are usually made by old men on the mountain, writing from an office filled with awards, posters, and statuettes. We will try to deal with this subject from the point of view of a technologist with only a few years of feature movie experience. We will analyze ...
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