
7.
Change your strokes from plain black to rich black. If you select
one of the objects in your calendar and examine the stroke color,
you’ll see that it has the CMYK values C:0, M:0, Y:0, K:100.
“So what,” you’re probably thinking, “black is black, right?”
In the RGB color space, that’s true. But not so when
working with CMYK. Black in this case is just one
ink out of the four. Much of the black printed art-
work you see is printed using rich black—a black
that is composed of all four inks. Rich blacks tend
to print darker and look, well, richer than their
one-ink counterparts. Also, using a rich black helps
prevent trapping issues—printing errors that show
white gaps between two colors that share no inks in
common. (See Figure 2-71 for an example.)
To switch all your strokes to rich black, do the following:
• Select the black swatch in the Swatches panel as a start-
ing point, and click the
icon. Change the values to C:50,
M:50, Y:50, K:100, and name the color “Rich black.” Be
sure the Global check box is turned on. Click OK to save
your swatch.
• Select any of your objects with the black arrow tool. From
the control panel, click the
next to the icon (the last
item on the control panel, called the Select Similar Options
menu). From the pop-up menu, choose Stroke Color, as
shown in Figure 2-72. Illustrator automatically selects all the
objects whose stroke color matches t