285
Jeroen van Tuyl
Jeroen van Tuyl
Je
Cultural heterogeneity is beyond a doubt the source of some of the most interesting artists
and projects. Jeroen van Tuyl, a fashion designer of Indian origin from Rotterdam who
presents his creations on the prestigious Paris catwalk, is a shining example of this. After
graduating in 1998 from Hogeschool voor de Kunsten in Arnhem, he founded the Van-
TUYL DeROOIJ along with his partner Edwin de Rooij, garnering considerable success
with the presentation of their fi rst two collections: “New Entity” (Spring/Summer 2000)
and “Klapstoel” (Fall/Winter 2000-2001). In 2001, now working alone, Jeroen founded
his own label, the evolution of which has made him one of the great promises of Dutch
and European men’s fashion. Additionally, he has worked for some of the most interesting
designers of men’s fashion on the European scene, including Dirk Bikkembergs and Joe
Casely-Hayford.
From the beginning of his career, he has shown his work in Paris and has always appeared
on the calendar of Men’s Fashion Week in the French capital, in addition to forming part
of the French Federation of Fashion and of Ready-to-Wear of Couturiers and Fashion
Designers.
Jeroen is gifted with the ability to combine the best of tailoring with street fashion and the
idiosyncrasies of his own personal universe. Since his fi rst collection, “Sherp,” he has been
perfecting his style and honing his professionalism, always faithful to what brought him to
notice in the fi rst place: sound dressmaking, polished cuts, and a very “street” modernity
with a hint of surprise, qualities which always dazzle the specialized European press.
Photography by Dale Grant
286
Jeroen van Tuyl
Images from the Spring/Summer 2007
collection: “Transformer.” In the image
on the right, a design by the Dutch
designer consisting of black wool
pants and an original butterfl y top of
interlaced leather.
Sketch courtesy of Jeroen van Tuyl
287
Jeroen van Tuyl
Photography by Peter Stigter
288
Jeroen van Tuyl
- What inspires you?
e past and the future. In my work, I always start with archetype classical garments. In addition to this, there is my
fascination for the future: the speed of the way things change, the possibilities with new technologies. I am very curious
about the possibilities the future brings, like new techniques. On the other hand, I really like nostalgia, purity, tradition
and craftsmanship. I work with classical garments and with classical fabrics.
- What is your dream as a designer?
My dream is the possibility to explore and work in all the fi elds of which the senses can be approached; so it’s not only
fashion and design, sight and texture, but also sound and smell. I would also like to work in diff erent disciplines. For
example, I already made a short animation movie with a photographer, I want to make sounds for my fashion shows,
and I’ve worked and discussed with an architect friend about special projects.
- What has been the most important achievement of your career?
I still have to achieve. I am proud of a lot of stuff , but I still want to do a lot.
- How important are trends?
I normally do not follow trends in general, but there are some trends you have to know just to be able to choose to work
with them or simply to avoid them.
- What book would you recommend to every fashion designer?
Neuromancer (1984), by William Gibson. It was a sort of dictionary for the future.
Jeroen van Tuyl
Puntegaalstraat 267
3024EB Rotterdam
e Netherlands
www.jeroenvantuyl.com
289
Jeroen van Tuyl
Photography by Peter Stigter
Get Atlas of Fashion Designers now with the O’Reilly learning platform.
O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.