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Kanya Miki
Kanya Miki
In his student days at the Royal Academy in Antwerp, Kanya Miki was already demonstrat-
ing his immense talent. It’s no surprise, then, that designer Walter Van Beirendonck, a pro-
fessor in—and now director of—the Fashion Department at the Royal Academy, choose
him in 2003 to be his design assistant, a post which, one year later, Kanya took up with
British designer John Galliano. In 2005, he decided to found his own label, Kosmetique
Label, and present his fi rst collection in Paris.
Having been born in Japan and having studied in Paris, grants Kanya a very personal vision
of fashion, one characterized by the unifi cation of the best each culture has to off er. On
the one hand, there is the originality and ease for capturing the latest trends and knowing
what the street wants—so much a part of Japanese youth culture—while, on the other
hand, there is the indisputable value of French fashion, with its ideas about tailoring and
durability. What appears to be a dichotomy of principles however, is masterfully overcome
in the hands of this gifted young designer.
Moreover, Kanya has accomplished something quite rare: making garments with their own
identity, with a trade name, creating a personal cut very much in line with current aesthet-
ics, an idea of beauty that borders on the androgynous, on the frontier between the sexes,
granting his creations a decidedly ambiguous character. Indeed, one of his goals is to create
a completely unisex line, thereby transcending the limits that clothes have always drawn
between the sexes. And there is little doubt that he will pull it off .
Photography by Shun Okubo
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Kanya Miki
Sketches courtesy of Kanya Miki
Both these sketches and this design from
the Fall/Winter 2008–2009 collection
refl ect the sobriety characteristic of
both Japanese Comme des Garçons and
Yamamoto, references which Kanya
Miki successfully sifts through in the
formation of his own identity.
349
Kanya Miki
Photography by Aiko Kodama
350
Kanya Miki
- What inspires you?
People or things around me, whatever is happening in reality.
- What is your dream as a designer?
To pursue the creation of both imaginative creativity and reality.
- What has been the most important achievement of your career?
Not yet.
- How important are trends?
A trend is always a refl ection from our real life, like a social movement, the economy, the world situation, and so on. It
is important for designers to see how the world is moving now.
- Fashion has always refl ected a certain era. What does fashion refl ect in the twenty-fi rst century?
In the twenty-fi rst century, identity will be more important, so style will be more diversifi ed and complicated. e new
sense of luxury must be necessary. It doesn’t have to be expensive, but it should be more precious for each individual.
Kanya Miki
16-18, rue Berger
75001 Paris
France
www.kosmetiquelabel.com
351
Kanya Miki
Sketches courtesy of Kanya Miki
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