December 2012
Beginner to intermediate
191 pages
4h 52m
English
Content preview from Audio Production and Critical ListeningBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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BIBLIOGRAPHY
Barron, M. (1971). The subjective effects of first reflections in concert halls: The need for lateral reflections. Journal of Sound and Vibration, 15, 475–494.
Bech, S. (1992). Selection and training of subjects for listening tests on sound-reproducing equipment. Journal of the Audio Engineering Society, 40, 590–610.
Blesser, B., & Salter, L.-R. (2006). Spaces speak, are you listening? Experiencing aural architecture. Cambridge, MA: MIT Press.
Bradley, J. S., & Soulodre, G. A. (1995). Objective measures of listener envelopment. Journal of the Acoustical Society of America, 98(5), 2590–2597.
Brixen, E. B. (1993). Spectral ear training. Proceedings of the 94th Convention of the Audio Engineering Society, Preprint 3474, Berlin, Germany. ...
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.Julian F.
I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.