Book description
Leverage the full power of Avid Media Composer with this essential guide from an Avid guru. Master timesaving tricks and techniques that utilize the latest Media Composer features and state-of-the-art workflows. Learn the secrets of the postproduction professionals from box office blockbusters like Harry Potter, I am Legend, Dark Shadows, Men in Black II, Charlie’s Angels, 42, and The Last of the Mohicans, as well as primetime hits like SMASH, Big Bang Theory, Weeds, The Mindy Project, and MythBusters.
In Avid Uncut, Steve Hullfish taps into the expertise of the world’s top editors to share in-depth, behind-the-scenes secrets and best practices that will boost your editing and color correction skills to the next level. Five distinct sections cover:
- Pre-post, including discussion of metadata, prepping ScriptSync, decomposing, and more
- Settings, with tips on keyboard optimization, bin settings, and import/export settings
- Off-line workflows on trimming, multicam editing, using Phrasefind, audio, and stereoscopic 3D
- Effects, such as 3rd party plugins, 3D warp effects, and Animatte
- On-line workflows for efficiently and beautifully finishing your work, including step-by-step tutorials for RED and ARRI Alexa workflows
Also featured are extensive tips dedicated to helping FCP editors switch over to Avid, as well as a companion website (www.routledge.com/cw/hullfish) loaded with video tutorials of the techniques discussed in the book and project files, including RED and ARRI Alexa footage, that turn Avid Uncut into an invaluable, hands-on workshop!
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- Acknowledgements
- Introduction
-
Chapter 1 Pre-Postproduction
- Metadata
- Avid Organizational Concepts
- Managing Bins Inside a Project
- Scripted Bin Management
- Unscripted Bin Management
- Using Bins from Other Projects
- Understanding Avid MediaFiles Folders
- Managing Storage
- Using the Media Tool to Delete/Find Unused Media
- Consolidating
- Decomposing
- Ingest from File-Based Workflow—AMA
- Ingest from File-Based Workflow—Non-AMA
- Moving from AMA to Transcoded Media
- Dynamic Media Folders
- High-Resolution Media
- Color Management
- Audio from Double-System Sound
- Prepping Feature Films
- ScriptSync
- Editing Proxy/Low-Res/Up-Rez to Final Quality
-
Chapter 2 Settings
- Project, User, and Site Settings
- Settings Fast Menu
- Important Settings
- Bin Settings
- Important Settings Continued
- Keyboard Optimization
- Mapping the Keyboard
- My Keyboard Settings
- FCP Keyboard
- Timeline
- Workspaces
- Sharing Settings between Users or Projects and Site Settings
- Import Settings
- Export Settings
- Chapter 3 Off-Line
- Chapter 4 Effects
-
Chapter 5 On-Line
- On-Lining Smash
- Avid-to-Avid Tips from NatGeo’s Border Wars
- Up-Rez from Tape-Based Media in Avid
- Up-Rez from Inside Avid
- Exporting for On-Line on Another System, or Round-Tripping
- Alexa Conform DN×HD Round Trip
- RED Conform Round Trip Using Camera Originals
- Color Correction
- Native Avid and Symphony Color Correction
- Baselight Color Correction
- Red Giant Magic Bullet Looks
- Output
- Workflows for Archiving and Restoring
- Collaboration with ProTools/Third-Party Audio Mixing
- Conclusion
- Index
Product information
- Title: Avid Uncut
- Author(s):
- Release date: February 2014
- Publisher(s): Routledge
- ISBN: 9781134070701
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