Protect and save

The world-wide change-over period from mass viewing on a 4:3 analogue set to mass viewing on a 16:9 digital monitor, and therefore mass programme production for 16:9 television, will take many years. The transition period will require a compromise composition and many broadcasters are adopting an interim format of 14:9 to smooth the transition from 4:3 to full 16:9.

Viewfinder set-up

Using the 14:9 aspect ratio as an interim standard, cameramen shooting in 16:9 follow a ‘shoot and protect’ framing policy. The viewfinder is set to display the full 16:9 picture (see figure opposite) with a graticule superimposed showing the border of a 14:9 frame and a 4:3 frame. Significant subject matter is kept within the 14:9 border or, if ...

Get Basic Betacam Camerawork, 3rd Edition now with the O’Reilly learning platform.

O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.