Basic Critical Theory for Photographers

Page, Tim, 142

Painters/ing, 1, 3–9, 11–13, 16–19, 30, 31, 43–45, 52–54, 56–58, 62, 69, 73, 81, 91, 92, 99, 104, 135, 137–141, 143, 146, 147, 150, 152, 153, 160–162, 165, 194, 236, 240

Pakistan, 165

Palinode, 86, 87, 106, 242

Pandora, 144

Paradox/ical, 50, 98

Paris, 163, 165

Parody, 62, 151

Parr, Martin, 72, 104, 109, 166, 185, 241, C4

Parsons, John, 144

Past, 2, 3, 8–10, 12, 18, 31, 33, 37, 38, 40–42, 52, 56, 57, 61, 62, 64, 89–93, 95, 99, 100–102, 109–111, 114, 115, 117, 136, 137, 142, 151

Pastiche, 151, 154

Pater, 59

Pathos, 33, 37, 47, 68, 79, 93, 102, 243

Payne, Lewis, 95, 111, 199

Peirce, C. S., 138, 143, 150, 244, 245

Penn, Irving, 55, 73, 115

Perception/tual, 23, 44, 45, 79, 98, 129, 130, 141, 143, 146, 150

Perspective/s, 3, 8, 16,