Chapter 7. The Flow of It
The eye on the pole.
OCTOBER 13, 2003—BUCHAREST
Three months into production, Murch is working 12 to 14 hours a day, six days out of every seven. But he faithfully takes an eight-mile run once a week, on Sunday, his one day off. He throws a coin onto a city map, then heads off in that direction from the hotel. Bucharest is a wonderfully strange city, with much to take in, so he brings along two tools of the trade: a digital still camera and a microcassette audio recorder. Today, a fine fall Sunday, is particularly plentiful:
October 13, 2002, Murch’s Journal
Good Run out Plevnei Boulevard to the pedestrian overpass ...
Get Behind the Seen: How Walter Murch Edited Cold Mountain Using Apple’s Final Cut Pro and What This Means for Cinema now with the O’Reilly learning platform.
O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.
