Black and White Photography Field Guide

Table of contents

1. Cover
2. Half Title
3. Title Page
4. Copyright Page
5. Table of Contents
6. Introduction
7. THE BLACK & WHITE TRADITION
   1. Monochrome in Fine Art
   2. The Photographic Tradition
   3. Wavelength & Sensitivity
   4. Black & White as Normality
   5. Monochrome in Photography vs Painting
   6. The Photographer’s Choice
   7. Subtracting Color
   8. Shape
   9. Structure
   10. Tonal Nuance
   11. Form & Volume
   12. Texture
   13. Interpretation
   14. Film
8. DIGITAL MONOCHROME
   1. The Monochrome Sensor
   2. Linear Capture
   3. The Clipping Problem
   4. Noise, Bit Depth, & Shading
   5. Infrared
   6. Your Processing Workflow
   7. Silver Efex Pro
   8. Basic Processing
   9. Colors into Tones
   10. Default Conversions
   11. Hue Adjustment
   12. Reversals of Brightness
   13. Using Hue to Control Contrast
   14. Using Hue for Depth & Atmosphere
   15. Using Hue for Vegetation
   16. Skin Tones
   17. Specific Colors
   18. Handling Opposites
   19. Handling Adjacents
   20. Handling Subtleties
9. CREATIVE CHOICES
   1. Thinking in Black & White
   2. The Range of Light: Adams & the Westons
   3. The Long Range of Gray: Paul Strand
   4. Mid-tones
   5. Contrast High
   6. Contrast Low
   7. Shadow & Darkness: Brandt & McCullin
   8. Low Key
   9. High Key & Graphic: Callahan & Hosoe
   10. High Key
   11. Digital Zone System
   12. HDR in Black & White
   13. Tone Mapping without HDR
   14. Adding Tints
   15. Old Process Effect
10. Glossary
11. Index