Preface
This examination of the budgets and markets of European films was commissioned by the Ateliers du Cinéma Européen (ACE) in September 1994. The findings were presented to the ACE workshop held in Paris in November. That presentation was supported by a two-part written report. The first part looked at general data on markets and audiences. The second examined in detail ten case studies. The two-part report forms the basis for this book, which is essentially an expanded version of the original, with additional case studies. It also contains a third concluding part, which in Paris was presented only verbally and was derived partly from discussion with the ACE workshop participants.
In collating the data for the original report, Bridge Media ...
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