Book description
First published in 2012. Focal Press is an imprint of the Taylor & Francis Group, an informa business.
Table of contents
- Cover
- Half Title
- Titles in The Digital Imaging Masters Series
- Title Page
- Copyright Page
- Bound to Create
- Dedication
- Table of Contents
- Foreword
- Acknowledgments
- Introduction
-
Section 1 Color & Color Management
- 1 Color & Color Vision
- 2 Color Measurement, Reproduction & Management
- 3 Evaluating Image Quality, Print Quality & Test Pages
-
4 Display Environments, Technologies, Calibration & Profiling
- Simultaneous Contrast
- The Work Environment
- Setting Desktop and Application Interfaces to Middle Gray
- Display Technologies
- Choosing a Display
- Calibration and Profiling of Displays
- Digital Projector Technologies
- Calibration and Profiling of Digital Projectors
- Display and Projector Profiles at the System Level
-
5 Input Profiling, Scanners & Digital Cameras
- Scanner Profiling-Photographic Transparencies and Prints
- IT8 Targets
- Scanner Settings
- IT8 Reference Files
- Better IT8 Reference Files and Targets for Better Profiles
- Scanning Color Negatives
- Digital Camera Profiling
- Targets
- Building the Digital Camera Profile
- Applications for Profiling Digital Cameras
- This is a Very Specific Profile
- DNG Profiles
- 6 Color in Photoshop & Lightroom
- 7 Basic Color Correction & Image Rendering
- 8 Output Profiling & Soft Proofing
- 9 Output Profile Optimization & Editing
- 10 Color Utilities & Troubleshooting
-
11 Raster Image Processors
- Bitmap (Raster) and Vector Graphic Files
- What is a RIP?
- How is a RIP Different from a Driver?
-
The Main Benefits of and Reasons for Having a RIP
- Processing More File Types and Formats
- Print Quality and Accuracy
- Improved Workflow and Automation
- Proofing, Verification, and Halftone Dot Simulation
- Package Printing and Optimizing Paper Usage
- Black-and-White Printing
- Ink Limiting
- Calibration and Linearization
- Bypassing Imaging Software/Printer Driver/Operating System Problems
- Ways Color Management Hardware and Software Interact with RIPs
- Comparison of RIPs
-
Section 2 Digital Printmaking & Output
- 12 Digital Output Technologies & Print Labeling
-
13 Inkjet Printing
- Different Types of Inkjet Printers
-
Ink Technologies
- Aqueous Dye
- What is the Difference between a Dye and a Pigment?
- Aqueous Pigment
- Solvent and UV-Curable
- Paper and Media technologies
- Uncoated Papers
- Coated Matte and Fine-Art Papers
- How do You Find the Coated Side of Matte or Fine-Art Papers?
- Resin Coated Papers
- Baryta Papers
- Canvas Media
- Polyester and Vinyl Media
- Fabrics
- Metal and Rigid Media
- Printing with Irregular, Thick, or Rigid Media
- Choosing Media for Printing
- 14 Black-and-White Digital Printmaking
- 15 Resizing & Sharpening
- 16 Collaboration with Printmakers & Service Bureaus
- 17 CMYK Output: Printing Presses & Short Run Photo Books
- 18 Color-Managing in Adobe InDesign, Illustrator & PDFs
- 19 Preparing Files for the Web & Tablets
- 20 Digital Print Permanence & Longevity
- 21 Print Treatments, Editions & Documentation
- Index
Product information
- Title: Color Management & Quality Output
- Author(s):
- Release date: January 2014
- Publisher(s): Routledge
- ISBN: 9781136086373
You might also like
book
Principles of Colour and Appearance Measurement
Colour and appearance perceptions are very complex psychological phenomena. Written by one of the foremost authorities …
book
Production for Print
This book gives designers the confidence to do everything necessary to ensure trouble-free, high-quality printingâÂÂto calibrate …
book
Practical Color Management: Eddie Tapp on Digital Photography
The second book in this acclaimed series from noted photographer and digital imaging expert Eddie Tapp …
book
Producing New and Digital Media
Producing New and Digital Media is your guide to understanding new media, diving deep into topics …