January 2013
Intermediate to advanced
330 pages
11h 12m
English
Content preview from Compositing Visual Effects, 2nd EditionBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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Creating a mask is a core competency for any compositor. There is a constant need to isolate an object out of the frame for some kind of special treatment, such as color correction, blurring, regraining, and many, many others. The challenge here is that the object of interest has not been neatly shot on a bluescreen for easy isolation. It is an arbitrary object within an arbitrary background. This process is distinctly different than creating a matte for a bluescreen composite where the matte is created by a keyer and the purpose is to composite two layers. Here a mask is created in any number of ways, by hook or by crook, without using a keyer. ...
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I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.