Computers as Theatre, Second Edition

4. Dramatic Interactors: Collaboration, Constraints, and Engagement

For the nonspecialist, the idea of a dramatic model may seem to have more to do with content—interesting situations and colorful characters, for instance—than with structure. As a structuralist, I have been assailed by both theatre and computer people for taking what they perceive as a rather bloodless approach. Structure is not always well understood, and even when it is, its uses are seen to be analytical rather than productive. When we see a good film or go to a good play, we are moved by things that seem to transcend structuralism—a beautiful image, dialogue and action that speak deeply and genuinely about life. There seems to be a contradiction here—if it’s all so structured, ...