Acknowledgements
One of the great challenges to writing a book on compositing visual effects is that you need footage – lots of footage. You need greenscreens, background plates, digital matte paintings, and CGI renders. Fortunately there are many people out there that are willing to share their work so that all of us in the visual effects industry may benefit. To these talented and generous filmmakers I owe many thanks.
At the top of my list is Jon Karafin of LYTRO, Inc. Jon and I became fast friends starting in 2009 when he was the Manager of Production Operations for In-Three, one of the founding companies of stereo conversion. A brilliant man, he holds multiple patents in the field and cheerfully indulged my fascination for the math and science ...
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