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Digital Photography: The Missing Manual
book

Digital Photography: The Missing Manual

by Chris Grover, Barbara Brundage
June 2006
Intermediate to advanced
432 pages
13h 34m
English
O'Reilly Media, Inc.
Content preview from Digital Photography: The Missing Manual

Taking Portraits

Most snapshots feature two, three, or even more people vying for attention with something in the background, like a waterfall or someone’s minivan. But as you know from the previous chapter, the best pictures don’t show everything—they show a single thing really well. If you want your photos to stand out from the crowd, it’s time to explore the art of portrait photography. After all, how would you rather remember your son’s third birthday: by a snapshot of him standing across the room awkwardly modeling his new outfit, or by a closeup that conveys his personality? Only a portrait can capture the mischievous arch of an eyebrow, or the little dimple he gets when he’s thinking of something funny.

Taking good portraits isn’t difficult, but it requires a few new skills. You have to examine all the details in the frame more closely than ever, and pay more attention to how light works. In the end, it’s worth it. The portraits you take are likely to be your most treasured photos.

Creating Flattering Headshots

In professional portrait photographs, everyone looks great. Surely photographers use some kind of tricks—ancient, carefully guarded trade secrets—to make Uncle Ernie look so distinguished and handsome. On the contrary, there are no fancy secrets to great headshots. You can make any subject (or any uncle) look his best by applying the simple principles in this section whenever you shoot someone from the shoulders up.

You can take good portraits even if you have the cheapest ...

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Publisher Resources

ISBN: 0596008414Catalog PageErrata