C H A P T E R 3 2
ROLL CAMERA
As it comes time to roll camera, the script supervisor makes a last check to see that actors are correctly costumed, that the right props are at hand, and that nothing has been forgotten or misplaced on the set.
The assistant director (AD) marshals everyone to their starting positions, ensures that doors and windows are closed to seal out exterior sounds, and calls for silence on the set. There is a last hair and makeup check, and the director of photography (DP) confirms that all lights are on. If you are using a film camera, the assistant camera (AC) has inspected the film gate for debris, something that must be done regularly and without fail.
Distances have been measured out, and the focus puller is ready ...
Get Directing, 4th Edition now with the O’Reilly learning platform.
O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.
