CAMERA RULES

In live-action movies, it is the cameraman who decides about the camera position and the picture size, and of course following the ideas of the director. In animation it is the layout artist who plans the use of the camera. He executes what has been planned in rough sketches in a workbook meeting. This stage is visually the most important moment of the movie, because at this point the storyboard is being translated into film language. Usually a storyboard in animation is not visually interesting. Its job is only to tell the story. The breakdown into different shots, perspectives, the choice of the number of characters in one scene, the exact location following a floor plan, the direction of the light, props, effects — all of this ...

Get Dream Worlds: Production Design for Animation now with the O’Reilly learning platform.

O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.