Book description
Film Directing Fundamentals gives the novice director an organic methodology for realizing on-screen the full dramatic possibility of a screenplay. Unique among directing books, Nicholas Proferes provides clear-cut ways to translate a script to the screen. Using the script as a blueprint, the reader is led through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques discussed. Written for both students and entry-level professionals, the book assumes no knowledge and introduces basic concepts and terminology. Appropriate for screenwriters, aspiring directors and filmmakers, Film Directing Fundamentals helps filmmakers bring their story to life on screen.
This fourth edition is updated with a new foreword by Student Academy Award-winner Jimmy Keyrouz, who studied with author Nicholas Proferes, as well as an enhanced companion website by Laura J. Medina, available at www.routledge.com/cw/proferes, which features new supplemental material for both instructors and students, including two new analyses of contemporary films—Wendy and Lucy (2008) and Moonlight (2016)—study questions, suggested assignments and exercises, as well as the instructor’s manual written by Proferes in 2008.
Table of contents
- Cover
- Title
- Copyright
- Dedication
- CONTENTS
- FOREWORD TO THE 4TH EDITION
- INTRODUCTION TO THE 4TH EDITION COMPANION WEBSITE
- FOREWORD TO THE 3RD EDITION
- ACKNOWLEDGMENTS
- INTRODUCTION
-
PART ONE FILM LANGUAGE AND A DIRECTING METHODOLOGY
- Chapter 1 Introduction to Film Language and Grammar
- Chapter 2 Introduction to the Dramatic Elements Embedded in the Screenplay
- Chapter 3 Organizing Action in a Dramatic Scene
- Chapter 4 Staging
-
Chapter 5 Camera
- The Camera as Narrator
- Reveal
- Entrances
- Objective Camera
- Subjective Camera
- Where Do I Put It?
- Visual Design
- Style
- Coverage
- Camera Height
- Lenses
- Composition
- Where to Begin?
- Working toward Specificity in Visualization
- Looking for Order
- Dramatic Blocks and Camera
- Shot Lists, Storyboards, and Setups
- The Prose Storyboard
- Chapter 6 Camera in Notorious Patio Scene
-
PART TWO MAKING YOUR FILM
-
Chapter 7 Detective Work on Scripts
- Reading Your Screenplay
- A Piece of Apple Pie Screenplay
- Whose Film Is It?
- Character
- Circumstance
- Spines for A Piece of Apple Pie
- Dynamic Relationships
- Wants
- Actions
- Acting Beats
- Activity
- Tone for A Piece of Apple Pie
- Breaking A Piece of Apple Pie into Actions
- Designing a Scene
- Visualization
- Identifying the Fulcrum and Dramatic Blocks
- Supplying Narrative Beats to A Piece of Apple Pie
- Director’s Notebook
- Chapter 8 Staging and Camera for A Piece of Apple Pie
- Chapter 9 Marking Shooting Script with Camera Setups
- Chapter 10 Working with Actors
- Chapter 11 Managerial Responsibilities of the Director
- Chapter 12 Postproduction
-
Chapter 7 Detective Work on Scripts
- PART THREE ORGANIZING ACTION IN AN ACTION SCENE
- PART FOUR ORGANIZING ACTION IN A NARRATIVE SCENE
-
PART FIVE LEARNING THE CRAFT THROUGH FILM ANALYSIS
- Chapter 15 Alfred Hitchcock’s Notorious
- Chapter 16 Peter Weir’s The Truman Show
- Chapter 17 Federico Fellini’s 8½
-
Chapter 18 Styles And Dramatic Structures
- Style
- Narrative, Dramatic, and Poetic Visual Styles
- The Variety of Dramatic Structures
- Tokyo Story, Yasujiro Ozu (1953, Japan)
- Some Like It Hot, Billy Wilder (1959)
- The Battle of Algiers, Gillo Pontecorvo (1965, France)
- Red, Krzysztof Kieslowski (1994, Poland, France, Switzerland)
- Sex, Lies, and Videotape, Steven Soderbergh (1989)
- Shall We Dance?, Masayuki Suo (1996, Japan)
- The Celebration, Thomas Vinterberg (1998, Denmark)
- The Insider, Michael Mann (1999)
- The Thin Red Line, Terrence Malick (1998)
- In the Mood for Love, Kar Wai Wong (2001, China)
- Little Children, Todd Field (2006)
-
Chapter 19 What Next?
- Building Directorial Muscles
- Writing for the Director
- Begin Thinking about Your Story
- Concocting Your Feature Screenplay
- “Writing” Scenes with Actors
- Shooting Your Film before You Finish Writing It
- The Final Script
- Shooting without a Screenplay?
- Questions Directors Should Ask about Their Screenplays
- Conclusion
- BIBLIOGRAPHY
- INDEX
Product information
- Title: Film Directing Fundamentals, 4th Edition
- Author(s):
- Release date: July 2017
- Publisher(s): Routledge
- ISBN: 9781351683111
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