Abrahams, Harold, 330
Abstraction, 20
Acceptance, 145
Action
background of, blocking in, 118–19
continuing, 45
relationship between shots and, 44
rising, 125
sequence development and, 185–86
sought from audience, 15
as substitute for speech, 171
tying exposition to, 147
Active voice, 70
complexity of material and, 195
constructing original screenplay and,197–99
cutting and, 198
factual material and, 199
of plays, 199
working from key scenes and, 196
Advertisements, getting assignments and,208–09
Alcohol, 221
Aliens, 92
Get Film Scriptwriting, 2nd Edition now with the O’Reilly learning platform.
O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.